138,726
edits
Verse:Hmøøh/Rewhd Sgutsis: Difference between revisions
m
→Characteristics
m (→Traits) |
|||
| Line 46: | Line 46: | ||
[Outsourcing.] | [Outsourcing.] | ||
===Characteristics=== | ===Characteristics=== | ||
Sgutsitn often takes inspiration from folk music and world music, as well as older classical music. Tuning-wise, they're often influenced by Naquian, Bjeheondian and Sjowaazheñ musics, which use non-just intonation tunings. In addition to works that use just intonation as in traditional Etalocian music, Sgutsitn is most well-known for working in the equal temperaments 15-ET<!--blackwood, porcupine-->, 17-ET, 19-ET<!--meantone, semaphore-->, 22-ET<!--archy, porcupine etc.-->, 27-ET<!--tetracot and dicot--> and 31-ET<!--slendric, miracle-->. <!--among other reasons, these supported various low-complexity temperaments--> [Considering the technical limitations at that time, these might have been realized as "well-temperaments" in practice.] | Sgutsitn often takes inspiration from folk music and world music, as well as older classical music. Tuning-wise, they're often influenced by Naquian, Bjeheondian and Sjowaazheñ musics, which use non-just intonation tunings. In addition to early works that use just intonation as in traditional Etalocian music, Sgutsitn is most well-known for working in the equal temperaments 15-ET<!--blackwood, porcupine-->, 17-ET, 19-ET<!--meantone, semaphore-->, 22-ET<!--archy, porcupine etc.-->, 27-ET<!--tetracot and dicot--> and 31-ET<!--slendric, miracle-->. <!--among other reasons, these supported various low-complexity temperaments--> [Considering the technical limitations at that time, these might have been realized as "well-temperaments" in practice.] | ||
===Partial list=== | ===Partial list=== | ||