138,726
edits
Verse:Hmøøh/Talma/Music: Difference between revisions
m
→Romantic period
m (→Gothicism) |
|||
| Line 39: | Line 39: | ||
===Romantic period=== | ===Romantic period=== | ||
Romantic composers emphasized emotion, humor, exuberance and contemplation. Romantic music often had an individualist ethos, which prompted the development of solo techniques. Early Romantic period composers used a free JI approach, possibly with microtempering. | Romantic composers emphasized emotion, humor, exuberance and contemplation. Romantic music often had an individualist ethos, which prompted the development of solo techniques. Early Romantic period composers used a free JI approach, possibly with microtempering. However, EDOs were spurred on by the invention of the isomorphic keyboard in later Romantic period. | ||
Talman Romanticism was less nationalistic than Earth Romanticism. | Talman Romanticism was less nationalistic than Earth Romanticism. | ||
====Gothicism==== | ====Gothicism==== | ||
Some late Romantic composers were involved in "Gothicism", for lack of a better term. Gothicism was a reaction against the polished, optimistic aesthetic of the Classical and early Romantic periods. [The idea is "what Gothic literature would look like if it were a Talman music tradition"] Gothic music uses a lot of dissonant chords and blaring, raspy, sighing or murmuring timbres. Settings of | Some late Romantic composers were involved in "Gothicism", for lack of a better term. Gothicism was a reaction against the polished, optimistic aesthetic of the Classical and early Romantic periods. [The idea is "what Gothic literature would look like if it were a Talman music tradition"] Gothic music uses a lot of dissonant chords and blaring, raspy, sighing or murmuring timbres. Settings of | ||
"Gothic" horror and romance literature are common. This is often viewed as continuous with the Early Modern period. | "Gothic" horror and romance literature are common. This is often viewed as continuous with the Early Modern period.<!-- | ||
Tunings that ''exaggerated'' the syntonic comma, such as 22edo, were specifically desired. The adoption of an EDO was also helped by the invention of the isomorphic keyboard. | Tunings that ''exaggerated'' the syntonic comma, such as 22edo, were specifically desired. The adoption of an EDO was also helped by the invention of the isomorphic keyboard. | ||
--> | |||
===Early modern period=== | ===Early modern period=== | ||