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:''The Talman just intonation tunings and scales are due to Praimhín.'' | :''The Talman just intonation tunings and scales are due to Praimhín.'' | ||
'''Talman music''' is the longest continuous tradition of just intonation music in Tricin, and other Trician JI or quasi-JI traditions such as [[Verse:Tricin/Fyxoom/Music|Fyxoomian music]], are based on Talman music. Even the traditionally JI-agnostic tradition of [[Verse:Tricin/Bjeheond/Music|Bjeheond]] | '''Talman music''' is the longest continuous tradition of just intonation music in Tricin, and other Trician JI or quasi-JI traditions such as [[Verse:Tricin/Fyxoom/Music|Fyxoomian music]], are based on Talman music. Even the traditionally JI-agnostic tradition of [[Verse:Tricin/Bjeheond/Music|Bjeheond]] has over time incorporated Talman influences. Intervals are viewed as rational frequency ratios or approximations thereof, which have not only factors of 2, 3 and 5, but also the full 13-limit (traditionally) and in modern times, higher parts of the harmonic series. Modern Talman music may use various non-just intonation scales, inspired by other Trician musical traditions. | ||
Talmans traditionally preferred smaller ensembles; larger orchestras are a Classical and Romantic development. | Talmans traditionally preferred smaller ensembles; larger orchestras are a Classical and Romantic development. |
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