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Verse:Hmøøh/Talma/Music: Difference between revisions
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During the later Gweats era, there was a musical movement called ''săφnga cămχüüm'' ('subtly flowing art'), which explored minimalism and complex expressive beating and dissonance, reminiscent of La Monte Young. Such pieces were made with viola organistas, string quartets, and harpsichords. | During the later Gweats era, there was a musical movement called ''săφnga cămχüüm'' ('subtly flowing art'), which explored minimalism and complex expressive beating and dissonance, reminiscent of La Monte Young. Such pieces were made with viola organistas, string quartets, and harpsichords. | ||
===Early Fnüeng | ===Early Fnüeng court music=== | ||
The Fnüeng era saw a return to earlier just intonation scales, such as otonal scales over a drone, or tonality diamonds. This period used more folk music influences. | The Fnüeng era saw a return to earlier just intonation scales, such as otonal scales over a drone, or tonality diamonds. This period used more folk music influences. | ||
Thanks to the invention of the printing press, many works of music survive from the late Fnüeng dynasty period. | Thanks to the invention of the printing press, many works of music survive from the late Fnüeng dynasty period. | ||
===Jopahite Period=== | ===Jopahite Period=== | ||
This period used scales that [[Verse:Tricin/Etsoj Jopah|Etsoj Jopah]] discovered, such as C(n,k)-anies, Euler-Fokker genera and other CPS's; constant structures. | This period used scales that [[Verse:Tricin/Etsoj Jopah|Etsoj Jopah]] discovered, such as C(n,k)-anies, Euler-Fokker genera and other CPS's; constant structures. | ||