138,726
edits
Verse:Irta/Music: Difference between revisions
m
no edit summary
mNo edit summary |
|||
| Line 5: | Line 5: | ||
Common Mavila scales used in Azalic music are the Antilocrian mode, 3 2 2 3 2 2 2, and the seventh mode of the harmonic minor, 3 2 3 2 2 3 1. | Common Mavila scales used in Azalic music are the Antilocrian mode, 3 2 2 3 2 2 2, and the seventh mode of the harmonic minor, 3 2 3 2 2 3 1. | ||
In Irtan cultures outside the Azalic Urheimat but influenced by Azalic culture, 16ed12/7, and its octave equivalent counterpart 41edo, became the most prominent tuning whereas Irta's North Africa (the Azalic Urheimat) mostly uses variations on 16 tone octave equivalent and related scales. | In Irtan cultures outside the Azalic Urheimat but influenced by Azalic culture, 16ed12/7, and its octave equivalent counterpart 41edo, became the most prominent tuning whereas Irta's North Africa (the Azalic Urheimat) mostly uses variations on 16 tone octave equivalent and related scales. Knench music, which is generally polyphonic, uses harmonic series approximations to 16edo. | ||
Azalic scales directly influenced the music of Irta's Southern United States and Mexico. | Azalic scales directly influenced the music of Irta's Southern United States and Mexico. | ||