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Verse:Irta/Music: Difference between revisions
→Cualand
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==Cualand== | ==Cualand== | ||
===Anglo-Cualandian music=== | |||
English Cualandian music is based on a modal framework in a roughly 12 tone scale, which evolved from early Second Remonitionist music in Irta. There are four main families of scales in use in this system: | |||
*The Lydian family, characterised by a sharpened 4th | |||
*The Ionian family, characterized by natural thirds and fourths | |||
*The Dorian family, characterized by a flat third | |||
*The Phrygian family, characterized by a flat second | |||
===Hebrew cantillation=== | ===Hebrew cantillation=== | ||
Cantillation tropes in Cualand are diatonic, LCJI-based, or overtone scale-based. Some melodies use Locrian. Doctrinally Judaism is no more weird than the full range of Rabbinic Judaism in our timeline. | Cantillation tropes in Cualand are diatonic, LCJI-based, or overtone scale-based. Some melodies use Locrian. Doctrinally Judaism is no more weird than the full range of Rabbinic Judaism in our timeline. | ||