Verse:Hmøøh/Fyxoom/Music: Difference between revisions

From Linguifex
Jump to navigation Jump to search
m (IlL moved page Verse:Tricin/Fyxam/Music to Verse:Tricin/Fyxoom/Music without leaving a redirect)
mNo edit summary
Line 1: Line 1:
=Fyxamian classical music=
=Fyxoomian classical music=
From the fusion of [[Verse:Tricin/Talma/Music|Talman]], [[Verse:Tricin/Bjeheond/Music|Bjeheondian]] and [[Verse:Tricin/Txapoalli/Music|Txapoallian]] roots arose a uniquely Fyxamian tradition of classical music.
From the fusion of [[Verse:Tricin/Talma/Music|Talman]], [[Verse:Tricin/Bjeheond/Music|Bjeheondian]] and [[Verse:Tricin/Txapoalli/Music|Txapoallian]] roots arose a uniquely Fyxoomian tradition of classical music.


Common instruments include various traditional Talman and Bjeheondian instruments - namely various acoustic violins, guitars, trombones, and drums.
Common instruments include various traditional Talman and Bjeheondian instruments - namely various acoustic violins, guitars, trombones, and drums.
Line 7: Line 7:


=Modern music=
=Modern music=
In the modern period, Fyxamian art music took a sharp populist turn. Conventional wisdom holds that the composer Cabr Golac, with his band A Þlaih Dawl, is responsible for this "Populist" movement. As a result of the Populist movement, modern Fyxám has much less of a divide between popular music and art music than modern Western culture. More classical influences exist in more "specialized music" but music academics tend to be (literal) rock stars.
In the modern period, Fyxoomian art music took a sharp populist turn. Conventional wisdom holds that the composer Cabr Golac, with his band A Þlaih Dawl, is responsible for this "Populist" movement. As a result of the Populist movement, modern Fyxoom has much less of a divide between popular music and art music than modern Western culture. More classical influences exist in more "specialized music" but music academics tend to be (literal) rock stars.


==Instruments==
==Instruments==
Line 14: Line 14:
==Styles==
==Styles==
Some genres of modern music include:
Some genres of modern music include:
*"Fyxamian rock" is a genre that developed out of Fyxamian folk music and Bjeheondian ''Tanquahdj'', among other things.
*"Fyxoomian rock" is a genre that developed out of Fyxoomian folk music and Bjeheondian ''Tanquahdj'', among other things.
*Minimalism
*Minimalism
*"Baroque chiptune": a style inspired by old video game music and classical music
*"Baroque chiptune": a style inspired by old video game music and classical music
*"Prog rock/metal" borrows heavily from classical idioms such as: long, quasi-operatic song forms; use of classical JI tunings such as tonality diamonds, cross-sets, CPS's and constant structures.
*"Prog rock/metal" borrows heavily from classical idioms such as: long, quasi-operatic song forms; use of classical JI tunings such as tonality diamonds, cross-sets, CPS's and constant structures.
*"Nerd music": often with science- or sci-fi-themed lyrics; more "exotic" musically.
*"Nerd music": often with science- or sci-fi-themed lyrics; more "exotic" musically.
*Film and video game music: Overlaps somewhat with Fyxámian classical music.
*Film and video game music: Overlaps somewhat with Fyxoomian classical music.


==Tuning==
==Tuning==
Modern Fyxámian popular music (by extension, modern popular music globally) tends to use simple JI scales built from the harmonic series - a highly divisible number like 24, 36, 48, or 60 is used as the common denominator for the JI intervals in the scale. Otherwise, free JI is used. JI intervals may be approximated with other JI intervals (for example, 25/16 ≈ 14/9), but the identifications are not necessarily systematic as in regular temperament theory. Quarter-comma meantone is also a common tuning for acoustic instruments.
Modern Fyxoomian popular music (by extension, modern popular music globally) tends to use simple JI scales built from the harmonic series - a highly divisible number like 24, 36, 48, or 60 is used as the common denominator for the JI intervals in the scale. Otherwise, free JI is used. JI intervals may be approximated with other JI intervals (for example, 25/16 ≈ 14/9), but the identifications are not necessarily systematic as in regular temperament theory. Quarter-comma meantone is also a common tuning for acoustic instruments.


Sometimes, especially in electronic music, other simple tempered scales such as 5edo, 7edo, 9edo, and the mavila heptatonic/nonatonic are used.
Sometimes, especially in electronic music, other simple tempered scales such as 5edo, 7edo, 9edo, and the mavila heptatonic/nonatonic are used.


=Figures=
=Figures=
*'''Honan Đawhindøø''' was a composer who studied in Talma during the late Classical period. He helped continue and further develop the tradition of Classical-style JI music in Fyxám.
*'''Honan Đawhindøø''' was a composer who studied in Talma during the late Classical period. He helped continue and further develop the tradition of Classical-style JI music in Fyxoom.
*'''Propanol Glahdu''' was a Fyxámian classical composer.
*'''Propanol Glahdu''' was a Fyxoomian classical composer.
*'''Cabr Golac''' (stage name '''A Þlaih Dawl''') was a Populist composer who formed Tricin's first "rock band".
*'''Cabr Golac''' (stage name '''A Þlaih Dawl''') was a Populist composer who formed Tricin's first "rock band".
*'''Smrehtaið Awvliam''' was a music theorist who founded the ''Prycþéŋ lly Fryndu Jytylisríx'' (Society for Experimental Music). He is responsible for the concept of harmonic entropy and the observation that consonance depends on matching overtones.
*'''Smrehtaið Awvliam''' was a music theorist who founded the ''Prycþéŋ lly Fryndu Jytylisríx'' (Society for Experimental Music). He is responsible for the concept of harmonic entropy and the observation that consonance depends on matching overtones.
Line 36: Line 36:


=Neoclassicism=
=Neoclassicism=
In modern times, Neoclassicism emerged as a dissident movement in both Fyxám and Talma (in Fyxám, as a reaction to the perceived "shallowness" of Populism; in Talma, as a reaction to hyper-academic music).
In modern times, Neoclassicism emerged as a dissident movement in both Fyxoom and Talma (in Fyxoom, as a reaction to the perceived "shallowness" of Populism; in Talma, as a reaction to hyper-academic music).


=Notation=
=Notation=
Fyxámian music uses the Talman Helmholtz-Ellis notation. Tablature is common for guitars and similar instruments.
Fyxoomian music uses the Talman Helmholtz-Ellis notation. Tablature is common for guitars and similar instruments.


=''Prycþéŋ lly Fryndu Jytylisríx''=
=''Prycþéŋ lly Fryndu Jytylisríx''=
The Trician Xenharmonic Alliance
The Trician Xenharmonic Alliance

Revision as of 05:10, 10 June 2018

Fyxoomian classical music

From the fusion of Talman, Bjeheondian and Txapoallian roots arose a uniquely Fyxoomian tradition of classical music.

Common instruments include various traditional Talman and Bjeheondian instruments - namely various acoustic violins, guitars, trombones, and drums.

Vaguely Wilsonian tunings + Bjeheondian rhythms + Naquian theaterism

Modern music

In the modern period, Fyxoomian art music took a sharp populist turn. Conventional wisdom holds that the composer Cabr Golac, with his band A Þlaih Dawl, is responsible for this "Populist" movement. As a result of the Populist movement, modern Fyxoom has much less of a divide between popular music and art music than modern Western culture. More classical influences exist in more "specialized music" but music academics tend to be (literal) rock stars.

Instruments

Modern music often uses amplified violins, cellos, guitars, organs, and various drums, as well as electronic isomorphic keyboards.

Styles

Some genres of modern music include:

  • "Fyxoomian rock" is a genre that developed out of Fyxoomian folk music and Bjeheondian Tanquahdj, among other things.
  • Minimalism
  • "Baroque chiptune": a style inspired by old video game music and classical music
  • "Prog rock/metal" borrows heavily from classical idioms such as: long, quasi-operatic song forms; use of classical JI tunings such as tonality diamonds, cross-sets, CPS's and constant structures.
  • "Nerd music": often with science- or sci-fi-themed lyrics; more "exotic" musically.
  • Film and video game music: Overlaps somewhat with Fyxoomian classical music.

Tuning

Modern Fyxoomian popular music (by extension, modern popular music globally) tends to use simple JI scales built from the harmonic series - a highly divisible number like 24, 36, 48, or 60 is used as the common denominator for the JI intervals in the scale. Otherwise, free JI is used. JI intervals may be approximated with other JI intervals (for example, 25/16 ≈ 14/9), but the identifications are not necessarily systematic as in regular temperament theory. Quarter-comma meantone is also a common tuning for acoustic instruments.

Sometimes, especially in electronic music, other simple tempered scales such as 5edo, 7edo, 9edo, and the mavila heptatonic/nonatonic are used.

Figures

  • Honan Đawhindøø was a composer who studied in Talma during the late Classical period. He helped continue and further develop the tradition of Classical-style JI music in Fyxoom.
  • Propanol Glahdu was a Fyxoomian classical composer.
  • Cabr Golac (stage name A Þlaih Dawl) was a Populist composer who formed Tricin's first "rock band".
  • Smrehtaið Awvliam was a music theorist who founded the Prycþéŋ lly Fryndu Jytylisríx (Society for Experimental Music). He is responsible for the concept of harmonic entropy and the observation that consonance depends on matching overtones.
  • Segin Þwhgad was a "Tolkien of music" who invents musical cultures for conworlds. He was a composer of film music, video game music, musical dramas and fictional music.
  • [Some band that sings "prog rock"]
  • [Some band that sings transhumanist songs]

Neoclassicism

In modern times, Neoclassicism emerged as a dissident movement in both Fyxoom and Talma (in Fyxoom, as a reaction to the perceived "shallowness" of Populism; in Talma, as a reaction to hyper-academic music).

Notation

Fyxoomian music uses the Talman Helmholtz-Ellis notation. Tablature is common for guitars and similar instruments.

Prycþéŋ lly Fryndu Jytylisríx

The Trician Xenharmonic Alliance