Verse:Hmøøh/māNāqui: Difference between revisions

From Linguifex
Jump to navigation Jump to search
Tags: Mobile edit Mobile web edit
Tags: Mobile edit Mobile web edit
(5 intermediate revisions by the same user not shown)
Line 3: Line 3:
*Quintlopetl Ztelmīz or just Quintlopetl
*Quintlopetl Ztelmīz or just Quintlopetl
*Cuancalli
*Cuancalli
*Quēhtłoyoz - [[Naquian]] grammarian
*Quēhtłoyoz: [[Naquian]] grammarian
*Huichaltzah - [[Naquian]] explorer, conlanger and playwright
*Huichaltzah: [[Naquian]] explorer, conlanger and playwright
*Ztlatohuiyaz = a theater
*Ztlathuiyaz: a theater
*Erencāhto: the Rencad, later became capital of [[Xaetjeon|Xaetjeonlowv]]


==History==
==History==
Line 13: Line 14:
===Instruments===
===Instruments===
===Tuning===
===Tuning===
The oldest attested Naquic music used a division of the perfect fifth into 4 equal parts, much like Georgian tuning. It was suited for vocal polyphony with relatively small melodic steps.
Naquic music uses a division of the perfect fifth into 4 or 8 equal parts. (The 8 equal parts tuning is very close to the 88 cents equal tuning.) Skellan composer [[Verse:Tricin/Rewhd Sgutsis|Rewhd Sgutsis]] noted that these scales fit nicely into a framework of 41 equal parts to the octave.
 
Naquic music now uses a division of the perfect fifth into 8 equal parts. (This is very close to the 88 cents equal tuning.)
 


<!--
<!--

Revision as of 05:56, 18 July 2019

The Naquian Empire (Naquian: Nāquiz from PQ snākʷs 'homeland') was the major civilization in ancient Txapoalli.

Place/person names

  • Quintlopetl Ztelmīz or just Quintlopetl
  • Cuancalli
  • Quēhtłoyoz: Naquian grammarian
  • Huichaltzah: Naquian explorer, conlanger and playwright
  • Ztlathuiyaz: a theater
  • Erencāhto: the Rencad, later became capital of Xaetjeonlowv

History

The rise of the "Theaterists"

Music

Instruments

Tuning

Naquic music uses a division of the perfect fifth into 4 or 8 equal parts. (The 8 equal parts tuning is very close to the 88 cents equal tuning.) Skellan composer Rewhd Sgutsis noted that these scales fit nicely into a framework of 41 equal parts to the octave.


Rhythm

Styles and forms

Notation