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Xaetjeon: Difference between revisions
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Naquian music uses 7-tone scales rich in neutral thirds. Scales are abstractly viewed as subsets of 27 roughly equal divisions of the octave. The 3L 4s MOS scale (5 3 3 5 3 5 3) may be used, but they use other, non-MOS 7-note scales too. The quasi-equal 6L 1s MOS scale (4 4 4 4 4 4 3) in 27edo is mainly used as a reference point rather than as an actual musical scale, in that notation is based on the 6L 1s scale in the same way that Western notation is based on the diatonic scale. | Naquian music uses 7-tone scales rich in neutral thirds. Scales are abstractly viewed as subsets of 27 roughly equal divisions of the octave. The 3L 4s MOS scale (5 3 3 5 3 5 3) may be used, but they use other, non-MOS 7-note scales too. The quasi-equal 6L 1s MOS scale (4 4 4 4 4 4 3) in 27edo is mainly used as a reference point rather than as an actual musical scale, in that notation is based on the 6L 1s scale in the same way that Western notation is based on the diatonic scale. | ||
Movement by one step of 27edo is usually avoided, since it is difficult to sing. | Movement by one step of 27edo is usually avoided, since it is considered difficult to sing. | ||
Historically other micro-divisions have been used or proposed - especially 27-well temperaments, 17-well temperaments or 17-equal. | Historically other micro-divisions have been used or proposed - especially 27-well temperaments, 17-well temperaments or 17-equal. | ||
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Some Sjowaazheñ instruments are the lute (''ya'ook''), various spike fiddles (''shjhedgaañt''), the lyre (''biliiwid''), various end-blown flutes (''joweet'''), the bass drum (''khool'') and the woodblock (''ghonyeeñ''). String instruments usually are unfretted but marked at perfect fourths. | Some Sjowaazheñ instruments are the lute (''ya'ook''), various spike fiddles (''shjhedgaañt''), the lyre (''biliiwid''), various end-blown flutes (''joweet'''), the bass drum (''khool'') and the woodblock (''ghonyeeñ''). String instruments usually are unfretted but marked at perfect fourths. | ||
==Tuning== | ==Tuning== | ||
The Sjowaazheñ tradition takes a purely melodic, rather than harmonic, approach to tuning, unlike the [[Verse:Tricin/Etalocin/Music#Talman_music|Talman]] and [[Verse:Tricin/Bjeheond/Music|Bjeheondian]] traditions. Traditionally, the building blocks of Sjowaazheñ scales are tetrachords or pentachords, i.e. divisions of the perfect fourth into three or four intervals. Innovations over the years have led to finer divisions or "n-chords" of the perfect fourth being used in more "sophisticated" music. Nevertheless, steps in any n-chord are no smaller than about | The Sjowaazheñ tradition takes a purely melodic, rather than harmonic, approach to tuning, unlike the [[Verse:Tricin/Etalocin/Music#Talman_music|Talman]] and [[Verse:Tricin/Bjeheond/Music|Bjeheondian]] traditions. Traditionally, the building blocks of Sjowaazheñ scales are tetrachords or pentachords, i.e. divisions of the perfect fourth into three or four intervals. Innovations over the years have led to finer divisions or "n-chords" of the perfect fourth being used in more "sophisticated" music. Nevertheless, steps in any n-chord are no smaller than about 50 cents. | ||
The general term for an n-chord in Sjowaazheñ is ''hañbaac'' (pl. ''hañbaacin''). | The general term for an n-chord in Sjowaazheñ is ''hañbaac'' (pl. ''hañbaacin''). | ||
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*''naajyetoh'': 8 8 8 (similar to the equable diatonic genus) | *''naajyetoh'': 8 8 8 (similar to the equable diatonic genus) | ||
*''esyooñ'': 10 10 4 | *''esyooñ'': 10 10 4 | ||
*'' | *''bejogh'': 10 11 3 | ||
====Pentachords==== | ====Pentachords==== | ||