139,719
edits
Verse:Hmøøh/Pategia: Difference between revisions
Jump to navigation
Jump to search
m
no edit summary
mNo edit summary |
mNo edit summary |
||
| Line 1: | Line 1: | ||
''' | '''Trăngsi'uł''' (''PARK-uh''; [[Windermere]]: ''Parca'' /ˈpʰaɾkʰə/, [[Trăngsi'uł]]: ''Paḷkha'' /paɭkʰa/, [[Roshterian]]: ''Qaanuuṯu'') is a predominantly Windermere-speaking [[Bjeheond]]ian country. It is located near [[Verse:Tricin/Qaaroshter]]. | ||
==Geography== | ==Geography== | ||
| Line 11: | Line 11: | ||
Inspiration: gayageum sanjo, Ancient Greek music? | Inspiration: gayageum sanjo, Ancient Greek music? | ||
The quintessential | The quintessential Trăngsi'uł musical instruments are (some kind of lyre or fiddle?), and the Trăngsi'uł drum (''feam Trăngsi'uł'' in Windermere; ??? in Trăngsi'uł). | ||
Trăngsi'uł music is highly multi-ethnic and uses elements from both native styles and Talman ones. Native Palkhan music tends to be richly ornamented, and is based on a heptatonic scale. | |||
Some ornaments include: | Some ornaments include: | ||
| Line 20: | Line 20: | ||
*slides | *slides | ||
Trăngsi'uł has its own offshoot of Windermere music as well. Some styles that fell out of use in Talma are still commonly performed in Trăngsi'uł, such as the song with intoning voice (''wălam yăthmear''). Trăngsi'uł is in fact home to the composer Dăraf Ko, a leading composer of ''yăthmear'' songs today, some of which incorporate native Palkhan classical styles in addition to Windermere ones. | |||
===Răthamrona school=== | ===Răthamrona school=== | ||
| Line 32: | Line 32: | ||
25 years BP: Minimalism makes a comeback in a slightly more "folksy" form (pieces are shorter etc.) The PSyT (''Prăctheng Sngoal Yătălisrił'' "Experimental Music Society") forms a branch in Palkha, led by Schaus-Schaus Flein. More fully acoustic pieces are written in the last 25 years. | 25 years BP: Minimalism makes a comeback in a slightly more "folksy" form (pieces are shorter etc.) The PSyT (''Prăctheng Sngoal Yătălisrił'' "Experimental Music Society") forms a branch in Palkha, led by Schaus-Schaus Flein. More fully acoustic pieces are written in the last 25 years. | ||
=== | ===Trăngsi'uł minimalism=== | ||
Minimalist pieces from the Răthamrona school, ironically, have some of the most complex harmonic progressions in Trician music. One famous piece, ???, has over a hundred chord progressions, each modulating up by a microcomma. | Minimalist pieces from the Răthamrona school, ironically, have some of the most complex harmonic progressions in Trician music. One famous piece, ???, has over a hundred chord progressions, each modulating up by a microcomma. | ||
=== | ===Trăngsi'uł postminimalism=== | ||
Trăngsi'uł musical compositions from the last three decades often revolve around polyrhythms. | |||
==Famous Palkhans== | ==Famous Palkhans== | ||