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Verse:Hmøøh/Talma/Music: Difference between revisions
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Composer Tsăhong Tamdi's treatise [[Literature:Elements of Harmony|''Elements of Harmony'']], which describes Partchian tonality diamonds, came to codify Windermere imperial courtly music. In particular, he recommended against using fixed-pitch instruments, arguing that they were expressively limited. This recommendation was lasting in influence - most instruments used in traditional Talman music are flexible-pitch instruments. Since Mărotłism banned the killing of mammals but not of fish, fish glue and hoof glue could be used for repairs instead of hide glue. Hence viola organistas could still be commonly used in imperial Windermere music. | Composer Tsăhong Tamdi's treatise [[Literature:Elements of Harmony|''Elements of Harmony'']], which describes Partchian tonality diamonds, came to codify Windermere imperial courtly music. In particular, he recommended against using fixed-pitch instruments, arguing that they were expressively limited. This recommendation was lasting in influence - most instruments used in traditional Talman music are flexible-pitch instruments. Since Mărotłism banned the killing of mammals but not of fish, fish glue and hoof glue could be used for repairs instead of hide glue. Hence viola organistas could still be commonly used in imperial Windermere music. | ||
===''Săφnga cămχüüm''=== | ===''Săφnga cămχüüm''=== | ||
During the later Gweats era, there was a musical movement, ''săφnga cămχüüm'' (much like our medieval era's ''ars subtilior'') of restricting to smaller subgroups of JI in music. Small EDOs that represented these JI subgroups accurately were also used. | During the later Gweats era, there was a musical movement, ''săφnga cămχüüm'' (much like our medieval era's ''ars subtilior'') of restricting to smaller subgroups of JI in music. Small EDOs that represented these JI subgroups accurately were also used. EDOs, however, fell out of use by the beginning of the Fnüeng dynasty. | ||
===Fnüeng Dynasty=== | ===Fnüeng Dynasty=== | ||
The Fnüeng era saw a return to earlier just intonation scales, such as otonal scales over a drone, or tonality diamonds. This period used more folk music influences. | The Fnüeng era saw a return to earlier just intonation scales, such as otonal scales over a drone, or tonality diamonds. This period used more folk music influences. | ||