139,486
edits
Glommish/Musical system: Difference between revisions
Jump to navigation
Jump to search
m
no edit summary
mNo edit summary Tags: Mobile edit Mobile web edit |
mNo edit summary Tags: Mobile edit Mobile web edit |
||
| Line 52: | Line 52: | ||
*Marczel '''Myna''', medieval tuning theorist who proposed a division of the whole tone into 5 | *Marczel '''Myna''', medieval tuning theorist who proposed a division of the whole tone into 5 | ||
*Siebrík '''Miþerdát''', medieval composer of isorhythmic motets | *Siebrík '''Miþerdát''', medieval composer of isorhythmic motets | ||
* | *Andrie '''Viczhym''', founder of the ''Smœ̄hcroft'' movement in medieval music featuring complex rhythmic, harmonic and notational devices | ||
*Fráþvin '''Lióbacz''', Thedish ''Smœ̄hcroft'' composer, famous for his [suite] featuring ''klózele'' in various equal temperaments (from 10 to 20 notes per octave) | *Fráþvin '''Lióbacz''', Thedish ''Smœ̄hcroft'' composer, famous for his [suite] featuring ''klózele'' in various equal temperaments (from 10 to 20 notes per octave) | ||
*(anonymous), author of ''Hlioþrъharpa'', an elaborate 4-part canon written in the shape of a harp | *(anonymous), author of ''Hlioþrъharpa'', an elaborate 4-part canon written in the shape of a harp | ||
*Filiep '''Glaz''' | *Filiep '''Glaz''' | ||
*Andrie '''Volþhym''' | |||