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There is evidence that the Netagin at first used a quasi-equiheptatonic system similar to our Thai music. 7 more notes were added to the octave for extra chromatic gestures, producing a quasi-14edo system. The chromatic gestures used in melodic music developed over time resulting in the ''hanier'' system. | There is evidence that the Netagin at first used a quasi-equiheptatonic system similar to our Thai music. 7 more notes were added to the octave for extra chromatic gestures, producing a quasi-14edo system. The chromatic gestures used in melodic music developed over time resulting in the ''hanier'' system. | ||
Bitaleta influence eventually led the Netagin to adopt 19edo as their abstract gamut. Though the Netagin traditionally did not view the 9-note framework as a tempered JI framework, later Windermere influence shifted performance practice towards 2.3.7 JI in certain (esp. harmonic) contexts, established 7-limit JI notes as acceptable variations of the existing notes. Nowadays, some Netagin-speaking areas and contexts are close to following the tempered 2.3.7 interpretation (called semaphore[9] in regular temperament theory), using different JI preimages for the same scale note. However, some | Bitaleta influence eventually led the Netagin to adopt 19edo as their abstract gamut. Though the Netagin traditionally did not view the 9-note framework as a tempered JI framework, later Windermere influence shifted performance practice towards 2.3.7 JI in certain (esp. harmonic) contexts, established 7-limit JI notes as acceptable variations of the existing notes. Nowadays, some Netagin-speaking areas and contexts are close to following the tempered 2.3.7 interpretation (called semaphore[9] in regular temperament theory), using different JI preimages for the same scale note. However, some have revived a JI-agnostic interpretation based on folk traditions. | ||
== ''Buri''s == | == ''Buri''s == | ||