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Some important modern ''hanier'' artists include composers Baqůr Dygieč and Qypaš Nabak and singer Stow Fitsmil. Some modern composers have introduced hanier counterpoint. | Some important modern ''hanier'' artists include composers Baqůr Dygieč and Qypaš Nabak and singer Stow Fitsmil. Some modern composers have introduced hanier counterpoint. | ||
== History == | |||
There is evidence that the Netagin at one point used a quasi-equiheptatonic system similar to our Thai music. Older musical treatises describe a 14-note system, suggesting that 7 more notes were added to the octave for extra chromatic gestures. The chromatic gestures used in melodic music developed over time resulting in the ''hanier'' system. | |||
Talman influence eventually led the Netagin to adopt 19edo as their abstract gamut. Though the Netagin traditionally did not view the 9-note framework as a tempered JI framework, later Windermere influence also shifted performance practice towards 2.3.7 JI in certain (esp. harmonic) contexts, establishing 7-limit JI notes as acceptable variations of the existing notes. Nowadays, some Netagin-speaking areas and contexts are close to following the tempered 2.3.7 interpretation (called semaphore[9] in regular temperament theory), using different JI preimages for the same scale note depending on context. However, some have retained JI-agnostic intonation practices. | |||
==''Pezům''s== | ==''Pezům''s== | ||
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*C-Db-Ebb-E#-F | *C-Db-Ebb-E#-F | ||
*C-Db-Ebb-E-F | *C-Db-Ebb-E-F | ||
== ''Buri''s == | == ''Buri''s == | ||
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Functional harmony is based on using 4L 1s modes and their subsets on functional degrees. | Functional harmony is based on using 4L 1s modes and their subsets on functional degrees. | ||
== Rhythm == | |||
Bjeheondian rhythm is based on rhythmic cycles known as ''tălea'' in Windermere. | |||
== Influences on other Trician musics == | == Influences on other Trician musics == | ||
The Netagin ''hanier'' system inspired Talman theorist [[Verse:Tricin/Etsoj Jopah|Etsoj Jopah]] to invent the 7-limit [https://en.xen.wiki/w/Diasem diasem] JI scale, one chirality of which goes LMLSLMLSL with L = 9/8, M = 28/27 and S = 64/63. This JI scale has misleadingly been called the "Netagin scale" by Talmans and Talmic speakers. The JI scale is a staple in low-complexity-JI- or RTT-based music in modern Tricin, scales of the same step pattern also being used in JI-agnostic contexts. The Skellan national anthem is in a Locrian-like mode of the diasem scale. | The Netagin ''hanier'' system inspired Talman theorist [[Verse:Tricin/Etsoj Jopah|Etsoj Jopah]] to invent the 7-limit [https://en.xen.wiki/w/Diasem diasem] JI scale, one chirality of which goes LMLSLMLSL with L = 9/8, M = 28/27 and S = 64/63. This JI scale has misleadingly been called the "Netagin scale" by Talmans and Talmic speakers. The JI scale is a staple in low-complexity-JI- or RTT-based music in modern Tricin, scales of the same step pattern also being used in JI-agnostic contexts. The Skellan national anthem is in a Locrian-like mode of the diasem scale. | ||