139,698
edits
Verse:Hmøøh/Tumhan/Music: Difference between revisions
Jump to navigation
Jump to search
m
→Harmony in the semiquartal scale
mNo edit summary Tags: Mobile edit Mobile web edit |
Tags: Mobile edit Mobile web edit |
||
| Line 54: | Line 54: | ||
== Harmony in the semiquartal scale== | == Harmony in the semiquartal scale== | ||
Semiquartal modal harmony (harmony is referred to with the neologism ''vynqůr'' '(the gestalt result of) difference [referring to different pitches sounded simultaneously]' or with the Eevo word ''eeclind'') is a modern construct. A particular style of it pioneered by the Trician xenharmonic community Brycþéñ lly Frindu Jydylisríz has gained some popularity in the Windermere Commonwealth, and "popular hanier" has begun incorporating it. | Semiquartal modal harmony (harmony is referred to with the neologism ''vynqůr'' '(the gestalt result of) difference [referring to different pitches sounded simultaneously]' or with the Eevo word ''eeclind'') is a modern construct. A particular style of it pioneered by the Trician xenharmonic community Brycþéñ lly Frindu Jydylisríz has gained some popularity in the Windermere Commonwealth, and "popular hanier" has begun incorporating it. | ||
Modes of the 9-note scale are called ''hačama'' (sg. ''hačame'', lit. | Modes of the 9-note scale are called ''hačama'' (sg. ''hačame'', lit. mask). These are distinct from the traditional ''hanier''s. | ||
TODO: Netagin names | TODO: Netagin names | ||