Suwáá/Classical: Difference between revisions

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The mid tone and low tone later merged, hence why high tone is the marked tone in High Sjowaazh.
The mid tone and low tone later merged, hence why high tone is the marked tone in High Sjowaazh.
==Grammar==
==Grammar==
Classical Sowaár was optimized for poetic meters – word order was relatively free and affixes used both long and short syllables.
Classical Sowaár was optimized for poetic meters (like Marathi) – word order was relatively free and affixes used both long and short syllables.


Number marking for nouns existed but was optional.
Number marking for nouns existed but was optional.


More fusional and less agglutinative than Modern Sjowaázh?
More fusional and less agglutinative than Modern Sjowaázh?

Revision as of 20:50, 5 February 2019

Classical Sjowaázh refers to an archaic literary standard of Sjowaázh, partly based on Late Old Sjowaázh.

Phonology

Consonants

Identical to Modern Sjowaázh

Vowels

Oral vowels
Front Back
short long short long
Close i /ɪ/ ii /iː/ o /o/ oo /oː/
Open e /ɛ/ ee /ɛː/ a /ɑ/ aa /ɑː/

Nasal vowels
Front Back
short long short long
Close /ĩ/ iiñ /ĩː/ /õ/ ooñ /õː/
Open /ɛ̃/ eeñ /ɛ̃ː/ /ɑ̃/ aañ /ɑ̃ː/

Tone

Classical Sjowaázh had three level tones: high (á), mid (a), low (à). Conservative Modern High Sjowaázh has vestiges of the 3-tone system in its intonation.

7 possible pitch accent patterns:

  • short: á, a, à
  • long: áa, aà, àa, aa

The mid tone and low tone later merged, hence why high tone is the marked tone in High Sjowaazh.

Grammar

Classical Sowaár was optimized for poetic meters (like Marathi) – word order was relatively free and affixes used both long and short syllables.

Number marking for nouns existed but was optional.

More fusional and less agglutinative than Modern Sjowaázh?