Verse:Hmøøh/Faadab Tseer/Ancient: Difference between revisions
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Ancient Tseezh music was described in terms of poetry and rhythm. For the ancient Tseezh, singing was merely a stylized way to recite poetry, and as such more emphasis was placed on literary merit, diction and delivery. For dance they just had rhythmic percussion. Religious ceremonies used dances and incantations instead of music as such. | Ancient Tseezh music was described in terms of poetry and rhythm. For the ancient Tseezh, singing was merely a stylized way to recite poetry, and as such more emphasis was placed on literary merit, diction and delivery. For dance they just had rhythmic percussion. Religious ceremonies used dances and incantations instead of music as such. | ||
Classical Tseezh music was Aristoxenean, i.e. it had no fixed tuning system. Melodies were based on the contours of speech. | Classical Tseezh music was Aristoxenean, i.e. it had no fixed tuning system. Melodies were based on the contours of speech. | ||
Plays: basically Korean pansori with multiple characters on stage, complete with an Ancient Greek style chorus | |||
Revision as of 20:40, 6 February 2019
Literature
Religion and philosophy
Science
Politics
Music
Inspirations: Korean pansori, ???
Ancient Tseezh music was described in terms of poetry and rhythm. For the ancient Tseezh, singing was merely a stylized way to recite poetry, and as such more emphasis was placed on literary merit, diction and delivery. For dance they just had rhythmic percussion. Religious ceremonies used dances and incantations instead of music as such. Classical Tseezh music was Aristoxenean, i.e. it had no fixed tuning system. Melodies were based on the contours of speech.
Plays: basically Korean pansori with multiple characters on stage, complete with an Ancient Greek style chorus