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A ''haṅier'' (literally 'stepping') consists of a scale (a choice of pitches relative to the tonic) plus which subsets to emphasize, either a set of two ''buri'' (pentachords or hexachords; used in folk music) or a ''pezeom'', a pentatonic subset where (a) the perfect fifth is used above the root and (b) 1\24 is not used as a step (used in liturgical music). | A ''haṅier'' (literally 'stepping') consists of a scale (a choice of pitches relative to the tonic) plus which subsets to emphasize, either a set of two ''buri'' (pentachords or hexachords; used in folk music) or a ''pezeom'', a pentatonic subset where (a) the perfect fifth is used above the root and (b) 1\24 is not used as a step (used in liturgical music). | ||
=== | ===Liturgical music=== | ||
The six possible pentachords in semaphore[9]: | The six possible pentachords in semaphore[9]: | ||
4411 | 4411 | ||
| Line 13: | Line 13: | ||
1414 | 1414 | ||
1144 | 1144 | ||
===Folk music=== | ===Folk music=== | ||
Common ''pezeom''s are: | Common ''pezeom''s are: | ||
Revision as of 05:19, 28 October 2020
EDOs easier to tune than 12edo by ear: 19 (6/5), 24 (11/6 and 11/8), 26 (7/4), 27 (7/6 and 6/5, or 1/3-comma superpyth), 31(quarter comma meantone), 36 (7/6 and 3/2), 46 (11/7 and 9/5), 53 (3/2)
Music in Edna's concultures
Semaphore[9]-based. Netagin music is usually in 19edo, but in some contexts, a tuning closer to 24edo is preferred, so 24edo notation will be used in this section.
A haṅier (literally 'stepping') consists of a scale (a choice of pitches relative to the tonic) plus which subsets to emphasize, either a set of two buri (pentachords or hexachords; used in folk music) or a pezeom, a pentatonic subset where (a) the perfect fifth is used above the root and (b) 1\24 is not used as a step (used in liturgical music).
Liturgical music
The six possible pentachords in semaphore[9]: 4411 4141 4114 1441 1414 1144
Folk music
Common pezeoms are:
- 0-250-500-700-950-1200 ("the most neutral-sounding")
- Variant: 0-200-500-700-950
- 0-200-400-700-900-1200 ("joyful")
- 0-200-400-700-950-1200 ("majestic")
- 0-250-450-700-950-1200 ("slightly sad")
- Variant: 0-200-450-700-950-1200
- 0-250-500-750-950-1200
- 0-250-450-750-950-1200 ("painful")
- 0-300-500-700-1000-1200
- 0-300-500-700-950-1150 ("mournful")
- 0-250-550-800-1000-1200
Pezeoms in various semaphore[9] modes:
- Megalonian (LLsLsLsLs): 0-200-400-700-900 (meantone pentatonic), 0-200-400-700-950, 0-200-450-700-900, 0-200-450-700-950
- Biollantian (LsLLsLsLs): 0-200-450-700-900, 0-250-450-700-900, 0-200-450-700-950, 0-250-450-700-950
- Giganian (LsLsLLsLs): 0-200-250.000000
450.000000 500.000000 700.000000 750.000000 950.000000 1000.000000 1200.000000
Shalaian music
Take subsets of 46edo