User:IlL/Spare pages 1/62: Difference between revisions
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EDOs easier to tune than 12edo by ear: 19 (6/5), 24 (11/6 and 11/8), 26 (7/4), 27 (7/6 and 6/5, or 1/3-comma superpyth), 31(quarter comma meantone), 36 (7/6 and 3/2), 46 (11/7 and 9/5), 53 (3/2) | EDOs easier to tune than 12edo by ear: 19 (6/5), 24 (11/6 and 11/8), 26 (7/4), 27 (7/6 and 6/5, or 1/3-comma superpyth), 31(quarter comma meantone), 36 (7/6 and 3/2), 46 (11/7 and 9/5), 53 (3/2) | ||
== | ==Netagin music== | ||
Semaphore[9]-based. Netagin music is usually in 19edo, but in some contexts, a tuning closer to 24edo is preferred, so 24edo notation will be used in this section. | Semaphore[9]-based. Modern Netagin music is usually in 19edo, but in some contexts, a tuning closer to 24edo is preferred, so 24edo notation will be used in this section. | ||
A ''haṅier'' (literally 'stepping') consists of a scale (a choice of pitches relative to the tonic) plus which subsets to emphasize, either a set of two ''buri'' (pentachords or hexachords; used in folk music) or a ''pezeom'', a pentatonic subset where (a) the perfect fifth is used above the root and (b) 1\24 is not used as a step (used in liturgical music). | A ''haṅier'' (literally 'stepping') consists of a scale (a choice of pitches relative to the tonic) plus which subsets to emphasize, either a set of two ''buri'' (pentachords or hexachords; used in folk music) or a ''pezeom'', a pentatonic subset where (a) the perfect fifth is used above the root and (b) 1\24 is not used as a step (used in liturgical music). | ||
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1200.000000 | 1200.000000 | ||
==Shalaian music== | |||
Take subsets of 46edo | Take subsets of 46edo | ||
==Ouřefr music== | |||
19edo due to Netagin influence | |||
===Nabbrzé music=== | ===Nabbrzé music=== | ||
Revision as of 05:20, 28 October 2020
EDOs easier to tune than 12edo by ear: 19 (6/5), 24 (11/6 and 11/8), 26 (7/4), 27 (7/6 and 6/5, or 1/3-comma superpyth), 31(quarter comma meantone), 36 (7/6 and 3/2), 46 (11/7 and 9/5), 53 (3/2)
Netagin music
Semaphore[9]-based. Modern Netagin music is usually in 19edo, but in some contexts, a tuning closer to 24edo is preferred, so 24edo notation will be used in this section.
A haṅier (literally 'stepping') consists of a scale (a choice of pitches relative to the tonic) plus which subsets to emphasize, either a set of two buri (pentachords or hexachords; used in folk music) or a pezeom, a pentatonic subset where (a) the perfect fifth is used above the root and (b) 1\24 is not used as a step (used in liturgical music).
Liturgical music
The six possible pentachords in semaphore[9]: 4411 4141 4114 1441 1414 1144
Folk music
Common pezeoms are:
- 0-250-500-700-950-1200 ("the most neutral-sounding")
- Variant: 0-200-500-700-950
- 0-200-400-700-900-1200 ("joyful")
- 0-200-400-700-950-1200 ("majestic")
- 0-250-450-700-950-1200 ("slightly sad")
- Variant: 0-200-450-700-950-1200
- 0-250-500-750-950-1200
- 0-250-450-750-950-1200 ("painful")
- 0-300-500-700-1000-1200
- 0-300-500-700-950-1150 ("mournful")
- 0-250-550-800-1000-1200
Pezeoms in various semaphore[9] modes:
- Megalonian (LLsLsLsLs): 0-200-400-700-900 (meantone pentatonic), 0-200-400-700-950, 0-200-450-700-900, 0-200-450-700-950
- Biollantian (LsLLsLsLs): 0-200-450-700-900, 0-250-450-700-900, 0-200-450-700-950, 0-250-450-700-950
- Giganian (LsLsLLsLs): 0-200-250.000000
450.000000 500.000000 700.000000 750.000000 950.000000 1000.000000 1200.000000
Shalaian music
Take subsets of 46edo
Ouřefr music
19edo due to Netagin influence