User:IlL/Spare pages 1/62: Difference between revisions

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Semaphore[9]-based. Modern Netagin music is usually in 19edo, but in some contexts, a tuning closer to 24edo is preferred, so 24edo notation will be used in this section.
Semaphore[9]-based. Modern Netagin music is usually in 19edo, but in some contexts, a tuning closer to 24edo is preferred, so 24edo notation will be used in this section.


A ''haṅier'' (literally 'stepping') consists of a scale (a choice of pitches relative to the tonic) plus which subsets to emphasize, either a set of two ''buri'' (pentachords or hexachords; used in liturgical music) or a ''pezeom'', a pentatonic subset where (a) the perfect fifth is used above the root and (b) 1\24 is not used as a step (used in folk music). Different styles encourage different subset use.
A ''haṅier'' (literally 'stepping') consists of a scale (a choice of pitches relative to the tonic) plus which subsets to emphasize, either a set of two ''buri'' (pentachords or hexachords; used in liturgical music) or a ''pezeom'', a pentatonic subset where 1\24 is not used as a step (used in folk music). Different styles encourage different subset use.
===''Buri''s===
===''Buri''s===
The six possible pentachords in semaphore[9]:
The six possible pentachords in semaphore[9]:

Revision as of 05:33, 28 October 2020

EDOs easier to tune than 12edo by ear: 19 (6/5), 24 (11/6 and 11/8), 26 (7/4), 27 (7/6 and 6/5, or 1/3-comma superpyth), 31(quarter comma meantone), 36 (7/6 and 3/2), 46 (11/7 and 9/5), 53 (3/2)

Netagin music

Semaphore[9]-based. Modern Netagin music is usually in 19edo, but in some contexts, a tuning closer to 24edo is preferred, so 24edo notation will be used in this section.

A haṅier (literally 'stepping') consists of a scale (a choice of pitches relative to the tonic) plus which subsets to emphasize, either a set of two buri (pentachords or hexachords; used in liturgical music) or a pezeom, a pentatonic subset where 1\24 is not used as a step (used in folk music). Different styles encourage different subset use.

Buris

The six possible pentachords in semaphore[9]: 4411 4141 4114 1441 1414 1144

The top note functions similarly to the ghammaz in Arabic ajnas.

A style that emphasizes buris is preferred for dark, mournful or creepy music (to emphasizing pezeoms).

Pezeoms

Common pezeoms are:

  • 0-250-500-700-950-1200 ("the most neutral-sounding")
  • 0-200-400-700-900-1200 ("mellow and joyful")
  • 0-200-400-700-950-1200 ("majestic")
  • 0-250-450-700-950-1200 ("slightly sad")
  • 0-200-450-700-950-1200
  • 0-250-500-750-950-1200
  • 0-250-450-750-950-1200
  • 0-300-500-700-1000-1200
  • 0-300-500-700-950-1150
  • 0-250-550-800-1000-1200

Pezeoms in various semaphore[9] modes:

  • Megalonian (LLsLsLsLs): 0-200-400-700-900 (meantone pentatonic), 0-200-400-700-950, 0-200-450-700-900, 0-200-450-700-950
  • Biollantian (LsLLsLsLs): 0-200-450-700-900, 0-250-450-700-900, 0-200-450-700-950, 0-250-450-700-950

Harmony

Shalaian music

Take subsets of 46edo

Ouřefr music

19edo due to Netagin influence

Nabbrzé music

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