Verse:Hmøøh/Prăfin of Bălang: Difference between revisions
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Prăfin was born and raised in the city of Rǎ'ac Thea in Wen Dămea; he was invited to study music in Palkha at 12 by Yăchef rith Sămtsay, a composer who gained notoriety in Talma for ???. Four years later he got a scholarship to go to Bjeheond and study [[Verse:Tricin/Bjeheond/Music| | Prăfin was born and raised in the city of Rǎ'ac Thea in Wen Dămea; he was invited to study music in Palkha at 12 by Yăchef rith Sămtsay, a composer who gained notoriety in Talma for ???. Four years later he got a scholarship to go to Bjeheond and study its culture, mythology and [[Verse:Tricin/Bjeheond/Music|music]]. | ||
Făb-Bălang disliked modern Talman music for its elitism - and by extension, everything since the Romantic period, since he saw the whole tradition as encouraging elitism. He disapproved of major Talman composers such as Sǽngeor, Sgutsis, and Djangdhæ, and theoretical constructs such as regular temperaments. As a reaction to these trends, făb-Bălang became an exponent of the Neoclassical movement in Talma. His later works were inspired by various traditional musics all over Tricin, including Dodellia and Txapoalli. He's also one of the most prolific non-Fyxoomian composers for the aggiaccata. | Făb-Bălang disliked modern Talman music for its elitism - and by extension, everything since the Romantic period, since he saw the whole tradition as encouraging elitism. He disapproved of major Talman composers such as Sǽngeor, Sgutsis, and Djangdhæ, and theoretical constructs such as regular temperaments. As a reaction to these trends, făb-Bălang became an exponent of the Neoclassical movement in Talma. His later works were inspired by various traditional musics all over Tricin, including Dodellia and Txapoalli. He's also one of the most prolific non-Fyxoomian composers for the aggiaccata. | ||
Revision as of 23:54, 16 September 2021
Prăfin fab-Bălang /pʰrəˈvin fap pəˈʟaŋ/ was a Windermere psychologist, musicologist and composer.
Todo
Life
Prăfin was born and raised in the city of Rǎ'ac Thea in Wen Dămea; he was invited to study music in Palkha at 12 by Yăchef rith Sămtsay, a composer who gained notoriety in Talma for ???. Four years later he got a scholarship to go to Bjeheond and study its culture, mythology and music.
Făb-Bălang disliked modern Talman music for its elitism - and by extension, everything since the Romantic period, since he saw the whole tradition as encouraging elitism. He disapproved of major Talman composers such as Sǽngeor, Sgutsis, and Djangdhæ, and theoretical constructs such as regular temperaments. As a reaction to these trends, făb-Bălang became an exponent of the Neoclassical movement in Talma. His later works were inspired by various traditional musics all over Tricin, including Dodellia and Txapoalli. He's also one of the most prolific non-Fyxoomian composers for the aggiaccata.
Musical pieces
Composed in Palkha:
Early works inspired by Talman Romantics
Composed in Bjeheond:
- Chnuream Hanier (Hanier Ditty, should have a Netagin name) - solo piece for ŋamsóm or double bass, inspired by Bjeheondian music