Verse:Hmøøh/Talma/Music: Difference between revisions
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''pegol'' (Talman Irish ''péagál'') is the Eevo name for the approximate 3L 2s in Crackfic Tricin, coming from **penkw-ālos from an IE substrate | |||
== Instruments== | == Instruments== | ||
Generally prefers inharmonic or mellow (like flutes, viols and silk/nylon/gut string guitars; a bowed string instrument constructed to absorb higher frequencies) timbres rather than bright ones (like violin family and trumpets) for harmonic music. Playing techniques are used for bowed string instruments to suppress higher harmonics. Singing is usually homophonic. | Generally prefers inharmonic or mellow (like flutes, viols and silk/nylon/gut string guitars; a bowed string instrument constructed to absorb higher frequencies) timbres rather than bright ones (like violin family and trumpets) for harmonic music. Playing techniques are used for bowed string instruments to suppress higher harmonics. Singing is usually homophonic. | ||
Revision as of 13:32, 25 January 2022
Base on oneiro (5L 3s) at first, then 26edo?
h/t tprice and Jaimbee, without whose work on pseudo-JI chords and oneiro functional harmony this would not have been possible.
Todo
pegol (Talman Irish péagál) is the Eevo name for the approximate 3L 2s in Crackfic Tricin, coming from **penkw-ālos from an IE substrate
Instruments
Generally prefers inharmonic or mellow (like flutes, viols and silk/nylon/gut string guitars; a bowed string instrument constructed to absorb higher frequencies) timbres rather than bright ones (like violin family and trumpets) for harmonic music. Playing techniques are used for bowed string instruments to suppress higher harmonics. Singing is usually homophonic.
Imperial Windermere music
"What if gamelan had very sharp fifths instead of very flat ones like pelog"
Based on 3L 2s scales; was monophonic and played on inharmonic instruments.
Post-Revolt music
All the JI and RTT people, Tsăhongtamdi, Etsoj Jopah, Rewhd Sgutsis etc. can be Cualuavian
Development of a functional harmony theory based on 0-(185)-369-646 and 0-277-738-(923) for the 4 brightest oneiro modes and a general modal theory for all 8 modes and the LSLLLSLS altered oneiro scale
Modern music
Contemporary music
Schngellstein writes counterpoint for oneiro and develops a functional harmony theory for other mosses such as 4L 3s, 5L 4s, and 8L 2s.
- Suite on the Medieval Talman Pegol