Verse:CF Tricin/Music: Difference between revisions

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(Created page with "===Talma=== ==== Hebrew cantillation ==== Based on oneirotonic, uses modes such as LLLSLSLS, LLSLLSLS, LLSLLSLS, LSLLSLLS, LSLSLSAS, LSLSLLLS, SLSLLSLL, with varying tunings w...")
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m (→‎Cualand: the opposite of cualandian christianity)
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===Cualand===
===Cualand===
====Hebrew cantillation====
====Hebrew cantillation====
Cantillation tropes in Cualand are diatonic, LCJI-based, or overtone scale-based (like primodality). Some melodies use Locrian.
Cantillation tropes in Cualand are diatonic, LCJI-based, or overtone scale-based (like primodality). Some melodies use Locrian (like the one for Atz Kotzetz which is still sung on the Shabbat immediately before Purim). Doctrinally it's no more weird than the full range of Rabbinic Judaism on Earth.


[[File:Adon Olam Cualandian.png|thumbnail|A Cualandian tune for Adon Olam|450px]]
[[File:Adon Olam Cualandian.png|thumbnail|A Cualandian tune for Adon Olam|450px]]

Revision as of 12:18, 9 February 2022

Talma

Hebrew cantillation

Based on oneirotonic, uses modes such as LLLSLSLS, LLSLLSLS, LLSLLSLS, LSLLSLLS, LSLSLSAS, LSLSLLLS, SLSLLSLL, with varying tunings which can change when singing; marimbas are common in synagogues

Cualand

Hebrew cantillation

Cantillation tropes in Cualand are diatonic, LCJI-based, or overtone scale-based (like primodality). Some melodies use Locrian (like the one for Atz Kotzetz which is still sung on the Shabbat immediately before Purim). Doctrinally it's no more weird than the full range of Rabbinic Judaism on Earth.

A Cualandian tune for Adon Olam