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| Base on oneiro (5L 3s) at first, then 26edo?
| | diatonic[12] but: |
| | | * less modulation than in Euro music |
| Generally prefers inharmonic (very mellow metallophones like the jegogan) or mellow (like flutes, viols and silk/nylon string guitars) timbres rather than bright ones (like violin family and trumpets) for harmonic music. Also playing techniques for bowed string instruments. Singing is usually homophonic. (Schngaoife can invent oneiro counterpoint)
| | * modes of harmonic and melodic minor |
| | | * augmented[6] and augmented[9] more common |
| h/t tprice and Jaimbee, without whose work on isodifferential chords and oneiro functional harmony this would not have been possible.
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| == Todo ==
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| Should "pegol" be the name for the approximate 3L 2s?
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| == Imperial Windermere music ==
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| Based on 3L 2s scales, then 5L 3s scales; was monophonic and played on inharmonic instruments. (I think an oneirotonic-based culture is as plausible as pelog)
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| == Post-Revolt music ==
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| All the JI and RTT people, Etsoj Jopah, Rewhd Sgutsis etc. can be Cualuavian
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| Development of a functional harmony theory based on 0-(185)-369-646 and 0-277-738-(923) for the 4 brightest oneiro modes and a general modal theory for all 8 modes and the LSLLLSLS altered oneiro scale
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| == Modern music ==
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| == Contemporary music==
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| Schngaoife writes counterpoint for oneiro and develops a functional harmony theory for other mosses such as 4L 3s, 5L 4s, and 8L 2s.
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