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| '''Netagin music''', both classical and modern, is usually based on 19 equal divisions of the octave (19edo), a [[w:Regular diatonic tuning|diatonic tuning]] where E# is equated to Fb instead of E# = F as in 12edo. Before the invention of electronic tuners, this temperament could be realized by tuning a chain of 19 pure 5/3 minor sixths, which approximates the tuning to less than 3 [[w:cent (music)|cents]] of error. Though 19edo is a meantone tuning like 12edo and diatonic music is not uncommon in Netagin culture, liturgical and folk music is usually based on the nine-note MOS scale (called godzilla[9] in regular temperament theory; which also exists in 24edo, 43edo and 62edo which are sometimes preferred specifically for tuning this scale) which is an extension of the familiar pentatonic scale. This article mainly deals with the use of godzilla[9] in Netagin music.
| | #redirect [[Verse:Hmøøh/Bjeheond/Music]] |
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| A ''haňier'' /hɐɲɪɾ/ (literally 'stepping') consists of a nine-note scale plus which subsets to emphasize, either a set of two ''byri'' /bɨ'ɾi/ (pentachords or hexachords) or a ''pezům'' /pɛ'zuəm/, a pentatonic subset where 1\19 is not used as a step. Different styles encourage different subset use.
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| ==''Buri''s==
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| In theory, the six possible ''buri''s with large (C-D) and small (C-C#) steps that build up a scale are:
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| #C-D-E-E#-F
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| #C-D-Ebb-E#-F
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| #C-D-Ebb-Eb-F
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| #C-Dbb-Ebb-E#-F
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| #C-Dbb-Ebb-Eb-F
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| #C-Dbb-Db-E#-F
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| In practice, usually only the first five are used. The two ''buri''s may be disjunct (separated by a major second), or conjunct (either spanning a minor seventh above the root or the major second above the root).
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| The top note of a ''buri'' functions similarly to the ''ghammāz'' in Arabic ''ajnās''.
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| A style that emphasizes ''buri''s is preferred for dark, mournful or creepy music (to emphasizing ''pezům''s).
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| ==''Pezům''s==
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| [[File:pezeom.png|thumbnail|The Giganian mode of the 9-note scale, with the ''pezům'' 0-250-500-700-950-1200 highlighted (notated in 19edo).]]
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| ''Pezům''s are said to sound brighter.
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| Common ''pezům''s are (TODO: Netagin names):
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| *C-D#-F-G-A#-C ("the most neutral-sounding")
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| *C-D-E-G-A-C ("mellow and joyful")
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| *C-D-E-G-A#-C ("majestic")
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| *C-D#-E#-G-A#-C ("slightly sad")
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| **Variant: C-D-E#-G-A#-C
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| *C-D#-E#-G#-A-C ("slightly anxious and distressed")
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| *C-Eb-F-G-Bb-C
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| Rarer ''pezům''s:
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| *C-Eb-F-G-A#-Cb ("exotic")
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| *C-D#-F#-Ab-Bb-C 0-250-550-800-1000-1200 ("disoriented")
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| ==Harmony==
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| Godzilla[9] modal and functional harmony is a more modern construct and is a staple of modern Netagin popular music, such as rock, metal and electronic music.
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| ===MOS modes===
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| TODO: Netagin names
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| L = C-D, s = C-C# (C-C half-sharp in 24edo)
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| *LLsLsLsLs Megalonian
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| *LsLLsLsLs Biollantian
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| *LsLsLLsLs Giganian
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| *LsLsLsLLs Hedoran
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| *LsLsLsLsL Ebiran
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| *sLLsLsLsL Dagahran
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| *sLsLLsLsL Shockiran
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| *sLsLsLLsL Gabaran
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| *sLsLsLsLL Minillan
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| ===MODMOS modes===
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| ===Functional harmony===
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| Many of the harmonic functions carry over from diatonic, because godzilla[9] has fifths and seconds similar to that of diatonic. The functions new to godzilla[9] are bolded; semi- is used for functions that are a semi-fourth below a diatonic function and similarly hemi- for semi-fourth above a diatonic function. Those modulate naturally via fourths or semifourths to other functions.
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| *I. Tonic
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| *II. Supertonic
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| *III. '''Semisubdominant'''/Mediant (major)
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| *IV. Mediant (minor)/'''Semidominant'''
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| *V. Subdominant (aka leading tone to dominant)
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| *VI. Dominant
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| *VII. '''Semisubtonic'''/Submediant(major)
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| *VIII. Submediant(minor)/'''Hemidominant'''
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| *IX. Subtonic/Leading tone
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| ==Diatonic music==
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| Renaissance-esque, choral stuff?
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| Altered diatonic scales
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