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| '''Cuam''' (''CuamR'' /khuəm/ with rising tone) is an [[Verse:Irta|Irtan]] Southern Chinese/SEA language in the Cuamic family; it has influenced the Scandinavian-inspired Irtan Chinese lect. | | '''Paang''' (''rhư nténg Pa{{cvla}}ng'') is a classical language of Hmøøhian author Tsayfuan's fantasy world. It is a monosyllabic tonal language with initial consonant mutations. It is inspired in-universe by Talmic and Æ, and I was actually inspired by Insular Celtic and Southeast Asian languages. |
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| Cuam is inspired by Irish, Thai and Hmong.
| | Paang poetry uses the Vietnamese lục bát meter, which Tsayfuan took from Æ poetry. |
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| ==Phonology== | | == Todo == |
| Initials: all Irish single consonants plus prenasalized stops and sh(n/l/r)-; allow br dr gr fr cr tr bl dl gl fl cl tl; p- only occurs in borrowings; stops are +asp/-asp like in Scottish Gaelic
| | * May liberally steal vocab from Celtic |
| | ** ''miền'' 'to desire' |
| | ** ''riêmh'' 'never' |
| | ** ''ciên'' 'old; distant' |
| | ** ''ciến'' (clf. ''ô{{cvla}}gh<sup>L</sup>'') 'age; distance' |
| | ** ''fiển'' (clf. ''lló<sup>L</sup>'') 'soldier' |
| | ** ''téng'' (clf. ''rhư''<sup>N</sup>) 'language' |
| | ** ''biêdh'' 'food' |
| | ** ''rhiền'' (clf. ''ngiềbh'') 'path' |
| | ** ''rhiên'' (clf. ''lló<sup>L</sup>'') 'maiden' |
| | ** ''gần''<sup>L</sup> 'without' |
| | * ''Tol Kiền'': the creator god |
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| shm- is only used in so-called ''shm''-reduplication
| | == Phonology == |
| | Initials: /k kʰ χ ŋ ŋ{{v-}} ŋʰ ɣ |
| | t tʰ θ n n{{v-}} nʰ ð |
| | p φ f m m{{v-}} mʰ v |
| | j r r{{v-}} l ɬ w ʍ s h ʔ/ |
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| Séimhiú should have different outcomes from Irish
| | Nuclei: /i e ɛ a ɨ ə u o ɔ iə ɨə uə/ |
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| In unmutated words, all Irish unmutated initials + séimhiúed initials are permissible
| | Finals: /{{ng}}{{tiebar}}m n {{ng}} r k{{tiebar}}p t k j ð ɨ{{nsyll}} w/ |
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| séimhiúed words can't séimhiú again, but when they get urúed it manifests as prenasalization:
| | Tones: a à a{{cvla}} á ả = mid low fall high rise |
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| * ''**CV-(initial) > (lexically séimhiúed initial)''
| | <g c ch ng hng nc gh |
| * ''**-n CV-(initial) > n:(initial) > nC (prenasalized initial)''
| | d t th n hn nt dh |
| | b p f m hm mp bh |
| | j r rh l lh w wh s h 0 |
| | i ê e a ư ơ/â a u ô o ia/iê ưa/ươ ua/uô |
| | mh n ng r b d g i dh gh u> |
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| Vowels: all combos of +-pal x vowel allowed in Irish (assuming broad final)
| | My romanization spells /kʰ/ as ''k'' in certain names. |
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| Allowed finals: -d -g -idh (-j) -imh (nasalization + -j) -bh (-w) -mh (nasalization + -w) -m -n -il -r
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| Tones are essentially the same as in Thai:
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| * "Dead syllables" (checked):
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| ** short vowel: a¹ a² (low high)
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| ** long vowel; á¹ á² (low falling)
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| * "Live syllables" (non-checked): long: áM áL áF áH áR (mid low falling high rising, as in Thai)
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| entering tone syllables (open short vowel, or d/g final) can only take a and à tones
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| forbids shm- like Irish but unlike Tigolic
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| == Grammar ==
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| absolute state is sometimes a floating mutating morpheme that marks gender (marks absolute state, construct state doesn't mutate). Sometimes absolute state manifests as a separate preposed word or syllable which may or may not mutate the word itself. (absolute state comes from a preceding classifier)
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| 1-10: leidh¹, nán², feó¹, tlud¹, daimh⁵, án², ciúr³, shnán², shleidh¹, faoil²
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| ==Diachronics ==
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| Some "possible" syllables should be disallowed bc of historical sound change, like unasp stop initial + nasal coda + 2nd tone syllables in Mandarin
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| Before having mutations, Cuam had long, short and ultrashort vowels. Mutations come from preceding ultrashort syllables that are lost.
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| After Cuam gained mutations, it underwent the medieval Sinosphere register/tone split like most other languages in the Sinosphere, resulting in mutation depending on tone. This earlier, very complex system of mutations and tonal ablaut got simplified to a finite set of noun genders by analogy.
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| ==== Orthography ====
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| A Far East Semitic based abugida
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| ==== Tone diachronics ====
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| Middle Cuam (before the tone split) had 3 tones, like Middle Chinese, marked in the native script as unmarked, tone 1 and tone 2.
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| Consonant classes (séimhiú didn't change the consonant class while urú did)
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| * Mid: *k- series, glottal stop
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| * High: *kh- series, voiceless fricatives, shR-
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| * Low: *g series, voiced fricatives, resonants
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| {| class="wikitable"
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| |+Tone chart
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| !class
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| !ending
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| !none
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| !-่
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| !-้
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| !-๊
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| !-๋
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| |-
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| |mid
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| |dead
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| | style="background: #fa4" |low
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| | -
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| | style="background: #ff3" |fall
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| | style="background: #cfa" |high
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| | -
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| |-
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| |mid
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| |alive
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| | style="background: #f66" |mid
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| | style="background: #fa4" |low
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| | style="background: #ff3" |fall
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| | style="background: #cfa" |high
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| | style="background: #6fc" |rise
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| |-
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| |high
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| |dead
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| | style="background: #fa4" |low
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| | -
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| | style="background: #ff3" |fall
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| |-
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| |high
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| |alive
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| | style="background: #6fc" |rise
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| | style="background: #fa4" |low
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| | style="background: #ff3" |fall
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| |-
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| |low
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| |dead (short vowel)
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| | style="background: #cfa" |high
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| | style="background: #ff3" |fall
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| | -
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| |-
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| |low
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| |dead (long vowel)
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| | style="background: #ff3" |fall
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| | -
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| | style="background: #cfa" |high
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| |-
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| |low
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| |alive
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| | style="background: #f66" |mid
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| | style="background: #ff3" |fall
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| | style="background: #cfa" |high
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| |-
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| |}
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Paang (rhư nténg Pa̍ng) is a classical language of Hmøøhian author Tsayfuan's fantasy world. It is a monosyllabic tonal language with initial consonant mutations. It is inspired in-universe by Talmic and Æ, and I was actually inspired by Insular Celtic and Southeast Asian languages.
Paang poetry uses the Vietnamese lục bát meter, which Tsayfuan took from Æ poetry.
Todo
- May liberally steal vocab from Celtic
- miền 'to desire'
- riêmh 'never'
- ciên 'old; distant'
- ciến (clf. ô̍ghL) 'age; distance'
- fiển (clf. llóL) 'soldier'
- téng (clf. rhưN) 'language'
- biêdh 'food'
- rhiền (clf. ngiềbh) 'path'
- rhiên (clf. llóL) 'maiden'
- gầnL 'without'
- Tol Kiền: the creator god
Phonology
Initials: /k kʰ χ ŋ ŋ̊ ŋʰ ɣ
t tʰ θ n n̊ nʰ ð
p φ f m m̊ mʰ v
j r r̊ l ɬ w ʍ s h ʔ/
Nuclei: /i e ɛ a ɨ ə u o ɔ iə ɨə uə/
Finals: /ŋ͡m n ŋ r k͡p t k j ð ɨ̯ w/
Tones: a à a̍ á ả = mid low fall high rise
<g c ch ng hng nc gh
d t th n hn nt dh
b p f m hm mp bh
j r rh l lh w wh s h 0
i ê e a ư ơ/â a u ô o ia/iê ưa/ươ ua/uô
mh n ng r b d g i dh gh u>
My romanization spells /kʰ/ as k in certain names.