|
|
| (31 intermediate revisions by the same user not shown) |
| Line 1: |
Line 1: |
| Inspirations: Vietnamese, Old Irish, Tiberian Hebrew, Maltese
| |
|
| |
|
| p t c k kħ q = /p t k q {{qeth}} ʔ/; ph th ch kh = /f θ x χ/
| |
|
| |
| m n ng; mh nh ngh = /m n ŋ; v{{nas}} (lenis n) (lenis ŋ)/
| |
|
| |
| x s ħ h = /ɬ ʃ ħ h/
| |
|
| |
| b ƀ đ d g ǥ għ = /v (bilabial l) ɮ ð ɣ ʟ ayin/
| |
|
| |
| r l /r l/
| |
|
| |
| i ê e a o ô u = /i e ɛ a ɔ o u/; ă = shva na; ĕ = ultrashort e; ie uo
| |
|
| |
| 6 tones of Vietnamese
| |
|
| |
| has lenition and lateralization mutations; vos word order
| |
| == Morphology ==
| |
| Old Irish-style independent-dependent verbal allomorphy, which includes tone changes (the proto-stage had level tones and was predominantly CV, with geminates, nC and sC clusters. tones in reduced syllables leave a mark on the stressed syllable, making tones more complex)
| |
|
| |
| nouns have unpredictable allomorphs as well, worse than TibH construct state (absolute~construct since easy to justify with stress)
| |