Tags: Mobile edit Mobile web edit |
|
(12 intermediate revisions by one other user not shown) |
Line 1: |
Line 1: |
| Riphean music is based on folk songs called ''stērvėnje'' (literally "old song"). A famous stērvėnje is "Wexraskaunipe" (Evening Beauty), which has been set to music several times by Riphean composers. During the Nōje Niđjaste ("New Self-ness") artistic renaissance there was a revival of Riphean folk elements in the arts and music.
| |
|
| |
|
| A popular Riphean folk instrument is the ''kautil'', a 7 string harp resembling the Finnish kantele but with movable bridges.
| |
|
| |
| Vocal and choral music is extremely popular in Riphea, so much so that Riphea is often called "vėnjecema" (the land of song). Choral composition is a very rich tradition and many public figures in Riphea are also choral composers and songwriters, an example being the current prime minister of Riphea, Wėnima Retaszūnu.
| |
|
| |
| ==Famous composers==
| |
| *Lule Vrijastukte
| |
| *Mets Ađrastėđ
| |
|
| |
| ==Influence==
| |
| Riphean musical styles have influenced music all over Irta. Riphean instruments and scales are adapted in parts of Irta America which have a strong Riphean diaspora.
| |
|
| |
| Places outside Europe with Riphean diasporas are usually influenced by post-Internalist Riphean music. Pre-Internalist Riphean influences are more likely to show up in Irta European music, with composers often writing Riphean rhapsodies, such as the ones by Sebastja Humja and Philip Drockva.
| |