|
|
(65 intermediate revisions by the same user not shown) |
Line 1: |
Line 1: |
| Owing to the large number of tones in the Zzean language, how Zzeans perform or view as music is significantly different from mainstream Western or East Asian views.
| |
| == Vocal music ==
| |
| For Zzeans, non-"coarse-melody" elements such as rhythm, ornamentation, and scale choice are paramount for distinguishing singing from normal speech.
| |
|
| |
|
| Zzean singing traditions include:
| |
| * an intoned singing tradition
| |
| * hiphop/rap (speech with stylized rhythm and sometimes autotune)
| |
| * a religious chanting tradition with much ornamentation
| |
| * something really weird and independent from Cuam music's weirdness
| |
| == Scales ==
| |
| Cuam music is abstractly based on a 5-note framework, onto which the five tone levels of Cuam are mapped. Seven-note scales are viewed as ways to ornament 5-note scales.
| |