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'' | :''This is a [[Windermere/Names|Windermere name]]. This person is properly referred to by their given name, Prăfin.'' | ||
'''Prăfin of Bălang''' (''Prăfin fa Bălang'' /pʁəˈvin və bəˈlɒŋ/) was a Windermere-Bjeheondian psychologist, musicologist and composer. | |||
His | ==Todo== | ||
==Life== | |||
Prăfin was born and raised in the city of Bălang in Talma, he was invited to study music in Palkha at 12 by Yăchef rith Sămtsay, a composer who gained notoriety in Talma for ???. Four years later he got a scholarship to go to Bjeheond and study its culture, mythology and [[Verse:Tricin/Bjeheond/Music|music]]. | |||
Prăfin disliked modern Talman music, and by extension, everything since the Romantic period, since he saw the whole tradition as encouraging elitism. He disapproved of major Talman composers such as Sáengeor, Sgutsis, and Drjangdhae, and theoretical constructs such as regular temperaments. As a reaction to these trends, Prăfin became an exponent of the Expressionist (placeholder name) movement in Talma. His later works were inspired by various traditional musics all over Tricin, including Dodellia and Txapoalli. He's also one of the most prolific non-Fyxoomian composers for the ''aġġiakkātą''. | |||
Languages: Windermere (native), Shalaian (somewhat fluent), Pategian (academic) | |||
==Musical pieces== | |||
Composed in Palkha: | |||
Early works inspired by Talman Romantics | |||
Composed in Bjeheond: | |||
*''Chnuream Hănier'' (Hanier Ditty, Ntg. ''Doxun Hanier'') - solo piece for ''ŋamsóm'' or double bass, inspired by Bjeheondian music | |||
[[Category:Composers]] | |||
Latest revision as of 19:47, 25 January 2023
- This is a Windermere name. This person is properly referred to by their given name, Prăfin.
Prăfin of Bălang (Prăfin fa Bălang /pʁəˈvin və bəˈlɒŋ/) was a Windermere-Bjeheondian psychologist, musicologist and composer.
Todo
Life
Prăfin was born and raised in the city of Bălang in Talma, he was invited to study music in Palkha at 12 by Yăchef rith Sămtsay, a composer who gained notoriety in Talma for ???. Four years later he got a scholarship to go to Bjeheond and study its culture, mythology and music.
Prăfin disliked modern Talman music, and by extension, everything since the Romantic period, since he saw the whole tradition as encouraging elitism. He disapproved of major Talman composers such as Sáengeor, Sgutsis, and Drjangdhae, and theoretical constructs such as regular temperaments. As a reaction to these trends, Prăfin became an exponent of the Expressionist (placeholder name) movement in Talma. His later works were inspired by various traditional musics all over Tricin, including Dodellia and Txapoalli. He's also one of the most prolific non-Fyxoomian composers for the aġġiakkātą.
Languages: Windermere (native), Shalaian (somewhat fluent), Pategian (academic)
Musical pieces
Composed in Palkha:
Early works inspired by Talman Romantics
Composed in Bjeheond:
- Chnuream Hănier (Hanier Ditty, Ntg. Doxun Hanier) - solo piece for ŋamsóm or double bass, inspired by Bjeheondian music