Literature talk:Little Red Riding Hood: Difference between revisions
Jump to navigation
Jump to search
| Line 20: | Line 20: | ||
*5 + 5 + 5 could work too | *5 + 5 + 5 could work too | ||
===Origins and development=== | ===Origins and development=== | ||
Long story short: | |||
The Wiobian tuning system has its origins in the quasi-equal pentatonic scale, found in our world in e.g. [[w:gamelan|gamelan]] music - this system is described in Classical Wiobian records: | The Wiobian tuning system has its origins in the quasi-equal pentatonic scale, found in our world in e.g. [[w:gamelan|gamelan]] music - this system is described in Classical Wiobian records: | ||
| Line 34: | Line 36: | ||
D\| E\| G\| A\| B\| | D\| E\| G\| A\| B\| | ||
Later, more dense orchestration increased the demand for chromatic movements. Thus eventually the full 15-tone gamut was | Later, more dense orchestration increased the demand for chromatic movements. Thus eventually the full 15-tone gamut was complete: | ||
C/| D/| F/| G/| A/| | C/| D/| F/| G/| A/| | ||