Chlouvānem/Verbs: Difference between revisions

m
Line 10: Line 10:
: ''→ See [[Chlouvānem/Exterior_and_interior_verbs|Chlouvānem exterior and interior verbs]] for a more thorough explanation of these forms.''
: ''→ See [[Chlouvānem/Exterior_and_interior_verbs|Chlouvānem exterior and interior verbs]] for a more thorough explanation of these forms.''


Potentially every Chlouvānem verb form, no matter if exterior or interior, has a '''causative''' (''drildyāva'') conjugation which is considered an inflection and not a derivation, even if the meanings may vary: ''mišake'' is an extreme example as each form has a different meaning (with particularly interior forms having many meanings) - non-causative exterior ''mešu'' "I am seen", interior ''meširu'' "I know; I see myself"; and causative exterior ''maišildu'' "I am shown", interior ''maišīldru'' "I learn; I show myself <small>(trans.)</small>".
Potentially every Chlouvānem verb form, no matter if exterior or interior, has a '''causative''' (''driṣṇa'') conjugation which is considered an inflection and not a derivation, even if the meanings may vary: ''mišake'' is an extreme example as each form has a different meaning (with particularly interior forms having many meanings) - non-causative exterior ''mešu'' "I am seen", interior ''meširu'' "I know; I see myself"; and causative exterior ''mešisu'' "I am shown", interior ''meširisu'' "I learn; I show myself <small>(trans.)</small>".


Chlouvānem verbs also conjugate for seven '''voices''' (''tadgeroe'', pl. ''tadgerenī''), each one putting one of seven different core elements as the ''direct-case argument'', usually for means of topicalization or definiteness; they reflect the Austronesian-type morphosyntactical alignment of the language. The seven voices are, for exterior verbs:
Chlouvānem verbs also conjugate for seven '''voices''' (''tadgeroe'', pl. ''tadgerenī''), each one putting one of seven different core elements as the ''direct-case argument'', usually for means of topicalization or definiteness; they reflect the Austronesian-type morphosyntactical alignment of the language. The seven voices are, for exterior verbs:
Line 37: Line 37:
* '''permissive''' (''drippūkire junya'') - used to express the permission to do something (e.g. I can [= I’m allowed to] X)
* '''permissive''' (''drippūkire junya'') - used to express the permission to do something (e.g. I can [= I’m allowed to] X)
* '''intensive''' (''caṃliven junya'') - typically denotes emphasis on a stronger effort for/in an action, or on its contrastive nature, or on its completeness and exhaustiveness.
* '''intensive''' (''caṃliven junya'') - typically denotes emphasis on a stronger effort for/in an action, or on its contrastive nature, or on its completeness and exhaustiveness.
 
Finally, Chlouvānem also has a '''non-finite form''' (''emibąukire daradhūs'') (the '''-ke''' form, called '''infinitive''' hereafter).
Finally, there are a further two forms which are called "secondary moods" (''šudarišam'', pl. ''-šye''). They are two '''consequential moods''', the first one expressing ''cause'' (e.g. “because X”), and the other ''opposition'' (e.g. “although X”).<br/>
Chlouvānem furthermore also have a '''non-finite form''' (''emibąukire daradhūs'') (the '''-ke''' form, called '''infinitive''' hereafter).


==Verb classes==
==Verb classes==
8,541

edits