Verse:Chlouvānem Inquisition: Difference between revisions

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While reinterpretation of older, traditional folk songs is a classical, especially in mūṃjas and laneika, there are many singer-songwriters in all styles; an example could be the most iconic Chlouvānem musician of the last century, Banditiāvi Kaihanųu ''Dalaigin'', a native Tariatindī but trained into laneika music, who has not only been a prolific laneika composer - so much that some of his pieces are true classics of the genre today - but has also experimented in other genres and in instrumentation, having introduced into laneika unconventional and electronic instruments. He was so popular that his sudden death in his 51st year of age shocked the whole country, with 600,000 people gathering in Tariatindē to bring homage to his funeral pyre.

More modern styles are heavily influenced by these three “standard” genres, but have typically experimentation in song structures. Electronic music has become very popular in the last thirty years, with various music scenes (often associated with particular cities) with wildly different genres, influenced by different styles, often including Chlouvānem classical music; while the most popular artists usually play music of the three main genres, a few electronic musicians have achieved wide success, like Lūlenišāvi Kaiɂašaltīs ''Turabayān'', a native ~~Līlasuṃghāṇi~~, with his downtempo-like, cinematic, mostly instrumental pieces, heavily inspired by classical music and often included in movie soundtracks.

More modern styles are heavily influenced by these three “standard” genres, but have typically experimentation in song structures. Electronic music has become very popular in the last thirty years, with various music scenes (often associated with particular cities) with wildly different genres, influenced by different styles, often including Chlouvānem classical music; while the most popular artists usually play music of the three main genres, a few electronic musicians have achieved wide success, like Lūlenišāvi Kaiɂašaltīs ''Turabayān'', a native Līlikanāni, with his downtempo-like, cinematic, mostly instrumental pieces, heavily inspired by classical music and often included in movie soundtracks. Another extremely important act in newer Chlouvānem music is Līlasuṃghāṇi brother-and-sister duo made of Nīmulšāmyāvi Linaštamīs ''Ṣastirvam'' and — Linaštæša ''Lañimulca'', making an experimental, completely electronic style, mixing traditional influences and rhythms with others taken more from Western and Skyrdegan classical music.

Genres similar to our rock music (whose closest Calémerian analogue is probably ''taónensi'' music (''taónensi'' being the Cerian word for “shaker”)) or pop music are less commonly found in the Chlouvānem Inquisition (even if Western artists playing them are known), but there is a regionally developed pop music scene based on the idol group format, a format imported by the Skyrdegan countries (which developed it on the basis of Western ''taónensi''); even the style of these idol groups' music has the same influences from Skyrdegan folk music as Skyrdegan taónensi music. Unlike in most of Western pop and all Skyrdegan idol groups, however, Chlouvānem idol groups have most members play their own instruments on stage apart from only singing.<ref>The terminology for this kind of music is all derived from Cerian through Skyrdagor or just Skyrdagor: ''Taónensi'' is known as ''toúneszy'' in the Skyrdegan countries and it has been adapted into Chlouvānem as ''tūnisus''. An idol is known by the Skyrdagor term ''zraszyk'' (which meant "knight" in older Skyrdagor) and an idol group is a ''zraszkajbe''; the Chlouvānem corresponding terms are the loan ''ṣraseka'' and the half-loan ''ṣraseklāṇa''.</ref><br/>Idol group taónensi pop music's popularity, overall in the Inquisition, pales in comparison to the three main popular genres and many electronic musicians, but they are very popular in the North (the area closest to Greater Skyrdagor and which has had the largest impact from the latter's culture) and often among native Northern Chlouvānem elsewhere in the Inquisition.

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 While reinterpretation of older, traditional folk songs is a classical, especially in mūṃjas and laneika, there are many singer-songwriters in all styles; an example could be the most iconic Chlouvānem musician of the last century, Banditiāvi Kaihanųu ''Dalaigin'', a native Tariatindī but trained into laneika music, who has not only been a prolific laneika composer - so much that some of his pieces are true classics of the genre today - but has also experimented in other genres and in instrumentation, having introduced into laneika unconventional and electronic instruments. He was so popular that his sudden death in his 51st year of age shocked the whole country, with 600,000 people gathering in Tariatindē to bring homage to his funeral pyre.
-More modern styles are heavily influenced by these three “standard” genres, but have typically experimentation in song structures. Electronic music has become very popular in the last thirty years, with various music scenes (often associated with particular cities) with wildly different genres, influenced by different styles, often including Chlouvānem classical music; while the most popular artists usually play music of the three main genres, a few electronic musicians have achieved wide success, like Lūlenišāvi Kaiɂašaltīs ''Turabayān'', a native Līlasuṃghāṇi, with his downtempo-like, cinematic, mostly instrumental pieces, heavily inspired by classical music and often included in movie soundtracks.
+More modern styles are heavily influenced by these three “standard” genres, but have typically experimentation in song structures. Electronic music has become very popular in the last thirty years, with various music scenes (often associated with particular cities) with wildly different genres, influenced by different styles, often including Chlouvānem classical music; while the most popular artists usually play music of the three main genres, a few electronic musicians have achieved wide success, like Lūlenišāvi Kaiɂašaltīs ''Turabayān'', a native Līlikanāni, with his downtempo-like, cinematic, mostly instrumental pieces, heavily inspired by classical music and often included in movie soundtracks. Another extremely important act in newer Chlouvānem music is Līlasuṃghāṇi brother-and-sister duo made of Nīmulšāmyāvi Linaštamīs ''Ṣastirvam'' and — Linaštæša ''Lañimulca'', making an experimental, completely electronic style, mixing traditional influences and rhythms with others taken more from Western and Skyrdegan classical music.
 Genres similar to our rock music (whose closest Calémerian analogue is probably ''taónensi'' music (''taónensi'' being the Cerian word for “shaker”)) or pop music are less commonly found in the Chlouvānem Inquisition (even if Western artists playing them are known), but there is a regionally developed pop music scene based on the idol group format, a format imported by the Skyrdegan countries (which developed it on the basis of Western ''taónensi''); even the style of these idol groups' music has the same influences from Skyrdegan folk music as Skyrdegan taónensi music. Unlike in most of Western pop and all Skyrdegan idol groups, however, Chlouvānem idol groups have most members play their own instruments on stage apart from only singing.<ref>The terminology for this kind of music is all derived from Cerian through Skyrdagor or just Skyrdagor: ''Taónensi'' is known as ''toúneszy'' in the Skyrdegan countries and it has been adapted into Chlouvānem as ''tūnisus''. An idol is known by the Skyrdagor term ''zraszyk'' (which meant "knight" in older Skyrdagor) and an idol group is a ''zraszkajbe''; the Chlouvānem corresponding terms are the loan ''ṣraseka'' and the half-loan ''ṣraseklāṇa''.</ref><br/>Idol group taónensi pop music's popularity, overall in the Inquisition, pales in comparison to the three main popular genres and many electronic musicians, but they are very popular in the North (the area closest to Greater Skyrdagor and which has had the largest impact from the latter's culture) and often among native Northern Chlouvānem elsewhere in the Inquisition.