Verse:Hmøøh/Talma/Music: Difference between revisions
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A common style of polyphony, called [''yeejeħrhoog''] in [[Amphirese]] and ''chălismoay'' in [[Rhythoed]], uses two melodic lines in a JI scale or free JI, and explores the JI dyadic harmony formed by the melodic lines. ''Yeejeħrhooga'' with three or more voices are considered quite adventurous. | A common style of polyphony, called [''yeejeħrhoog''] in [[Amphirese]] and ''chălismoay'' in [[Rhythoed]], uses two melodic lines in a JI scale or free JI, and explores the JI dyadic harmony formed by the melodic lines. ''Yeejeħrhooga'' with three or more voices are considered quite adventurous. | ||
More familiar techniques like canons and fugues occur during the | More familiar techniques like canons and fugues occur during the Romantic period. Polyphony in general was seen as depicting a dialogue between characters. | ||
===Dance music=== | ===Dance music=== | ||