Verse:Hmøøh/Faadab Tseer/Ancient: Difference between revisions
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Inspirations: Korean pansori, ??? | Inspirations: Korean pansori, ??? | ||
Ancient Tseezh music centered around poetry and rhythm. As such poetic structure such as rhyme and meter, and narrative structure contributed to much of the "music". For the ancient Tseezh, singing was merely a stylized way to recite poetry, and as such more emphasis was placed on literary merit, diction and delivery. For dance they just had rhythmic percussion. Religious ceremonies used dances and incantations instead of music as such. | Ancient Tseezh music centered around poetry and rhythm. As such, poetic structure such as rhyme and meter, and narrative structure contributed to much of the "music". For the ancient Tseezh, singing was merely a stylized way to recite poetry, and as such more emphasis was placed on literary merit, diction and delivery. For dance they just had rhythmic percussion. Religious ceremonies used dances and incantations instead of music as such. | ||
Classical Tseezh music was Aristoxenean, i.e. it had no fixed tuning system. Melodies were based on the contours of speech. | Classical Tseezh music was Aristoxenean, i.e. it had no fixed tuning system. Melodies were based on the contours of speech. | ||
Plays were basically a kind of pansori, accompanied with drums, but with different rhythms and possibly with multiple characters on stage, complete with an Ancient Greek style chorus. | Plays were basically a kind of pansori, accompanied with drums, but with different rhythms and possibly with multiple characters on stage, complete with an Ancient Greek style chorus. | ||
Revision as of 04:17, 9 December 2019
Literature
Religion and philosophy
Science
Politics
Music
Inspirations: Korean pansori, ???
Ancient Tseezh music centered around poetry and rhythm. As such, poetic structure such as rhyme and meter, and narrative structure contributed to much of the "music". For the ancient Tseezh, singing was merely a stylized way to recite poetry, and as such more emphasis was placed on literary merit, diction and delivery. For dance they just had rhythmic percussion. Religious ceremonies used dances and incantations instead of music as such.
Classical Tseezh music was Aristoxenean, i.e. it had no fixed tuning system. Melodies were based on the contours of speech.
Plays were basically a kind of pansori, accompanied with drums, but with different rhythms and possibly with multiple characters on stage, complete with an Ancient Greek style chorus.