Glommish/Musical system: Difference between revisions

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Maqam names used in Thedish music aren't translated: Rást, Baját, Ażem, Kurd, Syká, Sabe, Hiżáz, Nahavend
Maqam names used in Thedish music aren't translated: Rást, Baját, Ażem, Kurd, Syká, Sabe, Hiżáz, Nahavend


==Lõisian composers and theorists==
==Thedish musical theorists==


*Ancz-Sievrien '''Béþь''', early medieval author of ''An mūsikej'' (On Music)
*Andrie '''Hóchenhym''', proposed 29edo as a tuning for Thedish fixed pitch instruments like accordions and mandoles so that both European music and North African music could be played
*Hymarík '''Myna''', medieval tuning theorist who proposed a division of the whole tone into 5
*Valþerь '''av þier Fugelvyþe'''
*Þyprík '''[something Brusingian]''', medieval composer of isorhythmic motets
*Fráþvin '''Lióbacz'''
*Andrie '''Hóchenhym''', founder of the ''Smœ­̄hcroft'' movement in medieval music featuring complex rhythmic, harmonic and notational devices
*Valþerь '''av þier Fugelvyþe''', Middle Thedish ''miénesimberь'' who wrote love and political songs
*Fráþvin '''Lióbacz''', Thedish ''Smœ­̄hcroft'' composer, famous for his [suite] featuring ''klózele'' in various equal temperaments (from 10 to 20 notes per octave)
*(anonymous), author of ''Hlioþrъharpa'', an elaborate 4-part canon written in the shape of a harp
*Filiep '''Glaz'''
*Biarhard '''Ytfield'''
*Biarhard '''Ytfield'''

Revision as of 17:53, 1 September 2021

Music in Thedish speaking cultures differed strongly depending on region; Italian Thedish music was closer to European musical styles whereas North African Thedish music had more in common with Middle Eastern musical styles. Both styles are common among Thedes today.

Musical terms

Thedish musicians prefer to translate or calque musical terms.

Italian Thedish music

slap = piano (soft)

stark = forte (loud)

fanþiend = andante (walking)

pik = allegro, vivace (lively)

úthużengfól = expressive

slýþsam = adagio (slow)

snióen yncz = not rushed

þí spriakstamnie = Sprechstimme

þí simbskapie = chorus

North African Thedish music

żard = maqam

Maqam names used in Thedish music aren't translated: Rást, Baját, Ażem, Kurd, Syká, Sabe, Hiżáz, Nahavend

Thedish musical theorists

  • Andrie Hóchenhym, proposed 29edo as a tuning for Thedish fixed pitch instruments like accordions and mandoles so that both European music and North African music could be played
  • Valþerь av þier Fugelvyþe
  • Fráþvin Lióbacz
  • Biarhard Ytfield
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