Verse:CF Tricin/Music: Difference between revisions
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===Cualand=== | ===Cualand=== | ||
====Hebrew cantillation==== | ====Hebrew cantillation==== | ||
Cantillation tropes in Cualand are diatonic, LCJI-based, or overtone scale-based | Cantillation tropes in Cualand are diatonic, LCJI-based, or overtone scale-based. Some melodies use Locrian (like the one for Atz Kotzetz which is still sung by some communities on the Shabbat immediately before Purim). Doctrinally it's no more weird than the full range of Rabbinic Judaism on Earth. | ||
[[File:Adon Olam Cualandian.png|thumbnail|A Cualandian tune for Adon Olam|450px]] | [[File:Adon Olam Cualandian.png|thumbnail|A Cualandian tune for Adon Olam|450px]] | ||
Revision as of 12:19, 9 February 2022
Talma
Hebrew cantillation
Based on oneirotonic, uses modes such as LLLSLSLS, LLSLLSLS, LLSLLSLS, LSLLSLLS, LSLSLSAS, LSLSLLLS, SLSLLSLL, with varying tunings which can change when singing; marimbas are common in synagogues
Cualand
Hebrew cantillation
Cantillation tropes in Cualand are diatonic, LCJI-based, or overtone scale-based. Some melodies use Locrian (like the one for Atz Kotzetz which is still sung by some communities on the Shabbat immediately before Purim). Doctrinally it's no more weird than the full range of Rabbinic Judaism on Earth.
