Glommish/Musical system: Difference between revisions
No edit summary |
|||
Line 39: | Line 39: | ||
===15th century=== | ===15th century=== | ||
Partchian systems; otonal and utonal are associated with yin (qürm) and yang (läŋ) respectively | Partchian systems from early treatises; otonal and utonal are associated with yin (qürm) and yang (läŋ) respectively | ||
===17th century=== | ===17th century=== |
Revision as of 07:56, 10 October 2016
Instruments
þe térem = string instrument (from Türiŋit täärm)
þe kátérem = guqin (← kaa-täärm 'ancient string instrument')
þe júskion = dulcimer (← jüüskön)
þí klársiach = harp (← cláirseach)
þe kinnór = lyre (← cinnowr)
þe piengeng (térem) = bowed string instrument (← peŋ-eŋ (bow-COMITATIVE))
þe siópiengeng = violin (← söö-peŋeŋ 'small bowed')
þe latspiengeng = cello (← lats-peŋeŋ 'large bowed')
þe lúg (← luug), þí fiadóg (← feadóg) = (two kinds of) flute
þí szavúrtéreme = broken instruments
Tuning
13th century
- A B C D E F G# A
- A B C# D E F# G# A
- A B C# D E F G A
The first scale uses a chain of fifths with sizes M-M-S-S-L-S-S (S = smaller fifth, L = larger fifth, M = near-just fifth)
The second scale uses a chain of fifths M-M-M-M-S-S-S.
The third scale is symmetric and uses a chain M-S-S-L-S-S-M.
A typical tuning is a subset of 29edo.
15th century
Partchian systems from early treatises; otonal and utonal are associated with yin (qürm) and yang (läŋ) respectively
17th century
There are three kinds of systems:
1) Two eleven-limit diamonds spaced a perfect fifth apart, or two (1...13)x(1...1/7) diamonds spaced a perfect fifth apart
2) A cross set (1...15)x(1...15)
3) An Euler-Fokker genus 3⁴x5²x7²