Verse:Hmøøh/Talma/Music: Difference between revisions
Jump to navigation
Jump to search
mNo edit summary |
mNo edit summary |
||
| Line 2: | Line 2: | ||
:''The Talman just intonation tunings and scales are due to Praimhín.'' | :''The Talman just intonation tunings and scales are due to Praimhín.'' | ||
'''Talman music''' has a long history and has changed greatly over time. | '''Talman music''' has a long history and has changed greatly over time. Classical Talman music is the longest continuous tradition of just intonation music in Tricin, and other Northern just intonation traditions, namely [[Verse:Tricin/Bjeheond/Music|Bjeheondian music]] and [[Verse:Tricin/Fyxoom/Music|Fyxoomian music]], are ultimately derived from Talma traditions. Intervals are viewed as rational frequency ratios, which have not only factors of 2, 3 and 5, but also 7, 11, 13 and higher primes which may not be well-represented in Western European music. In contrast, modern Talman music uses various equal temperaments, or a mix of tunings, in addition to just intonation. | ||
Talmans traditionally preferred smaller ensembles; larger orchestras are a Classical and Romantic development. | Talmans traditionally preferred smaller ensembles; larger orchestras are a Classical and Romantic development. | ||
| Line 8: | Line 8: | ||
==Todo== | ==Todo== | ||
Need Talman rituals, holidays and festivals | Need Talman rituals, holidays and festivals | ||
==Standardization== | ==Standardization== | ||
| Line 53: | Line 51: | ||
===Romantic period=== | ===Romantic period=== | ||
The Romantic period was the longest period of Talman classical music. 41edo (the smallest | The Romantic period was the longest period of Talman classical music. 41edo (the smallest equal temperament to represent the 15-odd limit) began to be established for organs. | ||
====Early==== | ====Early==== | ||
Romantic composers emphasized emotion, humor, exuberance and contemplation. Romantic music often had an individualist ethos, which prompted the development of solo techniques. Early Romantic period composers used a free JI approach with microtempering, only sometimes flirting with more tempered scales. However, the use of equal temperaments were spurred on by the theorist Bloisin and the invention of the isomorphic keyboard in the later Romantic period. | Romantic composers emphasized emotion, humor, exuberance and contemplation. Romantic music often had an individualist ethos, which prompted the development of solo techniques. Early Romantic period composers used a free JI approach with microtempering, only sometimes flirting with more tempered scales. However, the use of equal temperaments were spurred on by the theorist Bloisin and the invention of the isomorphic keyboard in the later Romantic period. | ||
| Line 95: | Line 93: | ||
===Fixed-pitch=== | ===Fixed-pitch=== | ||
Smaller fixed pitch instruments (less than 25 notes/octave) are tuned to specific JI scales; larger fixed-pitch instruments such as organs are usually tuned to 41edo. (41edo is the smallest | Smaller fixed pitch instruments (less than 25 notes/octave) are tuned to specific JI scales; larger fixed-pitch instruments such as organs are usually tuned to 41edo. (41edo is the smallest equal temperament that represents the 15-odd limit.) | ||
*viola organista (keyboard instrument with a rosined conveyer belt mechanism for the strings) | *viola organista (keyboard instrument with a rosined conveyer belt mechanism for the strings) | ||
*organ Ⓥ (with ivory-free keys) | *organ Ⓥ (with ivory-free keys) | ||