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Verse:Irta/Music: Difference between revisions
→Second Remonitionist music
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Early Second Remonitionist musical styles are derived from Greek Buddhist chanting and Azalic polyphonic traditions found in Irta, and follows a system of four roughly equal divisions of a perfect fifth. (Incidentally this is very similar to our timeline's Georgian music) | Early Second Remonitionist musical styles are derived from Greek Buddhist chanting and Azalic polyphonic traditions found in Irta, and follows a system of four roughly equal divisions of a perfect fifth. (Incidentally this is very similar to our timeline's Georgian music) | ||
Both practices were dominant among Remonitionists who first migrated to Tricin, and the most common musical system among Remonitionists in Cualand is 41edo. | |||
== Arabic == | == Arabic == | ||