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Verse:Irta/Music: Difference between revisions
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In literature, nature poetry makes a comeback | In literature, nature poetry makes a comeback | ||
== | == Western European music == | ||
Three distinct classical styles emerge in Western Europe in Irta, all of which are popular. The first two arise directly out of Remonitionism -- the style that arises from the First Remonition is a neo-medievalism derived from the music of various Italic-speaking cultures as well as Tsarfati Jewish music, but Second Remonitionist music is much more meditative and chanting/intoned singing-based. European Christian music (except Irish classical music) is the same as in our timeline up to the First Remonitionist Reformation in the 16th c. | |||
Should be heavily influenced by Azalic culture by the end of 2nd Remonition | Should be heavily influenced by Azalic culture by the end of 2nd Remonition | ||
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2-part counterpart likes resolving to fifths and uses tons of Machaut cadences (Eb-G -> D-A, Ed-Gt -> D-A, E-G# -> D-A) | 2-part counterpart likes resolving to fifths and uses tons of Machaut cadences (Eb-G -> D-A, Ed-Gt -> D-A, E-G# -> D-A) | ||
Nowadays First Remonitionist styles are much more popular in Riphea, Riphean colonies and Cualand. | |||
John Wellwise /wɛlɪz/ is the counterpoint guy (interpreting "Fuxian" as Mandarin 富賢) | John Wellwise /wɛlɪz/ is the counterpoint guy (interpreting "Fuxian" as Mandarin 富賢) | ||