Verse:Hmøøh/Talma/Music: Difference between revisions
| Line 104: | Line 104: | ||
Some music attempts to convey narratives; this music is categorized as ''fryþu tlaneçol'' in [[Eevo]]. [This is not a precise category however, as even not-explicitly-programmatic music or music without lyrics often try to create a sense of "story" to some extent by using multiple parts.] | Some music attempts to convey narratives; this music is categorized as ''fryþu tlaneçol'' in [[Eevo]]. [This is not a precise category however, as even not-explicitly-programmatic music or music without lyrics often try to create a sense of "story" to some extent by using multiple parts.] | ||
===Chamber music=== | ===Chamber music=== | ||
Chamber music was highly valued by Talmans. | Chamber music was highly valued by Talmans. String quartets made of two ''ðavr'', one ''ŋams'' and one ''ŋamsóm'' were common. | ||
===Art songs=== | ===Art songs=== | ||
Art songs, which emerged during the Romantic period, are performed by a solo voice (or sometimes two or three voices), often with chamber accompaniment. Lyrics may be short poems dealing with nature and idyllic settings; love; mystical themes; short dialogues; or humor. Some art songs are longer or form a song cycle, and feature multi-part narratives. | Art songs, which emerged during the Romantic period, are performed by a solo voice (or sometimes two or three voices), often with chamber accompaniment. Lyrics may be short poems dealing with nature and idyllic settings; love; mystical themes; short dialogues; or humor. Some art songs are longer or form a song cycle, and feature multi-part narratives. | ||