Literature:Genesis of a Music/Skellan: Difference between revisions

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perhaps this SG hallowed-SUP of-COL tradition among artist vigorous-CST creativity: suspect per_se COL tradition in-COL art creative. for stand 3SG.N on inheritance of standardization, REL imply 3SG.N degeneration. dominate 3SG.N because serve 3SG.N interest SG group certain with power to perpetuate 3SG.N, and cease dominate 3SG.N when_CONJ replace_with_something_new SG group successfully powerful.EQU 3SG.N. not difficult to student alert SG acquire technique traditional. surrounded_by pressure study, absorb one_IMPERSONAL 3SG.N unconscious and too easy. how_much can DAT one_IMPERSONAL vitality SG resist follow tradition blindly, that measure well vitality of-3SG.M.

remain not disturbed COL tradition when say 1PL.IN: improve COHORT 1PL.IN.REFL; become COHORT player piano better, teacher better, conductor better, composer better. remain not disturbed 3SG.N when say 1PL.IN: increase COHORT knowledge and appreciation of music "good". undisturbed, uninvestigated, remain tradition, therefore COL culture music, REL foundation GEN.3SG.N principle noble outwardly like_this, already senile 3SG.N.

PERHAPS the most hallowed of traditions among artists of creative vigor is this: traditions in the creative arts are per se suspect. For they exist on the patrimony of standardization, which means degeneration. They dominate because they are to the interest of some group that has the power to perpetuate them, and they cease to dominate when some equally powerful group undertakes to bend them to a new pattern. It is not difficult for the alert student to acquire the traditional techniques. Under the pressures of study these are unconsciously and all too easily absorbed. The extent to which an individual can resist being blindly led by tradition is a good measure of his vitality.

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 perhaps this SG hallowed-SUP of-COL tradition among artist vigorous-CST creativity: suspect per_se COL tradition in-COL art creative. for stand 3SG.N on inheritance of standardization, REL imply 3SG.N degeneration. dominate 3SG.N because serve 3SG.N interest SG group certain with power to perpetuate 3SG.N, and cease dominate 3SG.N when_CONJ replace_with_something_new SG group successfully powerful.EQU 3SG.N. not difficult to student alert SG acquire technique traditional. surrounded_by pressure study, absorb one_IMPERSONAL 3SG.N unconscious and too easy. how_much can DAT one_IMPERSONAL vitality SG resist follow tradition blindly, that measure well vitality of-3SG.M.
+remain not disturbed COL tradition when say 1PL.IN: improve COHORT 1PL.IN.REFL; become COHORT player piano better, teacher better, conductor better, composer better.  remain not disturbed 3SG.N when say 1PL.IN: increase COHORT knowledge and appreciation of music "good". undisturbed, uninvestigated, remain tradition, therefore COL culture music, REL foundation GEN.3SG.N principle noble outwardly like_this, already senile 3SG.N.
 {{col-break}}
 PERHAPS the most hallowed of traditions among artists of creative vigor is this: traditions in the creative arts are per se suspect. For they exist on the patrimony of standardization, which means degeneration. They dominate because they are to the interest of some group that has the power to perpetuate them, and they cease to dominate when some equally powerful group undertakes to bend them to a new pattern. It is not difficult for the alert student to acquire the traditional techniques. Under the pressures of study these are unconsciously and all too easily absorbed. The extent to which an individual can resist being blindly led by tradition is a good measure of his vitality.