Verse:Hmøøh/Talma/Music: Difference between revisions
m →Gamut |
|||
| Line 164: | Line 164: | ||
Talman music uses the Helmholtz-Ellis notation. It differs from [[Verse:Tricin/Bjeheond/Music|Bjeheondian]] and other Trician JI notation schemes, in that it is more symmetrical and is less biased toward harmonic series scales. | Talman music uses the Helmholtz-Ellis notation. It differs from [[Verse:Tricin/Bjeheond/Music|Bjeheondian]] and other Trician JI notation schemes, in that it is more symmetrical and is less biased toward harmonic series scales. | ||
TODO: nominal names | TODO: nominal names | ||
* | *F G A B C D E F = pythagorean scale, lydian mode | ||
*5, 7, 11, 13 accidentals are defined by: sol la ti(v5) do(^11) re mi(v13) fa(v7) = harmonics 8-14 | *5, 7, 11, 13 accidentals are defined by: sol la ti(v5) do(^11) re mi(v13) fa(v7) = harmonics 8-14 | ||
** | **2, 5, 7, 11, 13 = o, txi, ça, ?, ? | ||
**/5, /7, /11, /13 = di, | **/5, /7, /11, /13 = di, nw, ?, ? | ||
**accidentals for 17, 19, 23, 29, 31 = as in Helmholtz-Ellis | **accidentals for 17, 19, 23, 29, 31 = as in Helmholtz-Ellis | ||
*Apotomic sharps and flats: Bb F C G D A E B F# | *Apotomic sharps and flats: Bb F C G D A E B F# | ||
===Staff directions=== | ===Staff directions=== | ||