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Chlouvānem/Lexicon: Difference between revisions
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* ''mūṃjas'' — a traditional music genre from the Central Plain, characterized by danceable tunes, heavy on percussions and string instruments (picked and percussive ones in particular). Many songs incorporate ''heicā'', with recurring rhythmic chants made of just a few syllables instead of full lyrics. | * ''mūṃjas'' — a traditional music genre from the Central Plain, characterized by danceable tunes, heavy on percussions and string instruments (picked and percussive ones in particular). Many songs incorporate ''heicā'', with recurring rhythmic chants made of just a few syllables instead of full lyrics. | ||
* ''kerachomā'' — popular non-classical music genre originally from the East and Northeast, today one of the most popular in the whole Inquisition (together with ''laneika'' and ''mūṃjas''), somewhat reminescent of 60s country music. | * ''kerachomā'' — popular non-classical music genre originally from the East and Northeast, today one of the most popular in the whole Inquisition (together with ''laneika'' and ''mūṃjas''), somewhat reminescent of 60s country music. | ||
* ''ṣmola'' — Calémerian hip-hop (better known as either ''kalapka'' (from Nordûlaki) or ''šumóra'' (from Cerian)), specifically its Chlouvānem variant, made of its Western roots (born among lower class people in former Nordûlaki colonies on Ceránento), influences from Dabuke and Kenengyry immigrants to the Inquisition, and Chlouvānem musical and literary styles. The term refers to the whole subculture, not just to music (which can be specified as ''ṣmolnakṣuma'' if needed). | |||
** ''ṣmolīn'' — any member of the ''ṣmola'' subculture | |||
* ''tūnisus''<ref>From Skyrdagor ''toúneszy'', ultimately from Cerian ''taónensi'' "shaker".</ref> — pop-rock music, ultimately derived from Western Calémerian "rock" (''taónensi'' internationally, from the Cerian word for "shaker") in its Skyrdegan interpretation; its most popular form is based on idol groups, as in the Skyrdegan countries, but Chlouvānem "idols" (''ṣrasekai'') typically play instruments instead of just singing, unlike Skyrdegan ones. It is not very popular overall, but it has a lot of success in the North of the Inquisition (the areas closest to Greater Skyrdagor) and often among native Northern Chlouvānem elsewhere in the country. | * ''tūnisus''<ref>From Skyrdagor ''toúneszy'', ultimately from Cerian ''taónensi'' "shaker".</ref> — pop-rock music, ultimately derived from Western Calémerian "rock" (''taónensi'' internationally, from the Cerian word for "shaker") in its Skyrdegan interpretation; its most popular form is based on idol groups, as in the Skyrdegan countries, but Chlouvānem "idols" (''ṣrasekai'') typically play instruments instead of just singing, unlike Skyrdegan ones. It is not very popular overall, but it has a lot of success in the North of the Inquisition (the areas closest to Greater Skyrdagor) and often among native Northern Chlouvānem elsewhere in the country. | ||
** ''ṣraseka'' — idol ([[Skyrdagor|Skyr.]] ''zraszyk'' "knight") | ** ''ṣraseka'' — idol ([[Skyrdagor|Skyr.]] ''zraszyk'' "knight") | ||