Verse:Hmøøh/Talma/Music: Difference between revisions
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Generally prefers inharmonic or mellow (like flutes) timbres rather than bright ones for harmonic music. Singing is usually homophonic. (Schngaoife can invent oneiro counterpoint) | Generally prefers inharmonic or mellow (like flutes) timbres rather than bright ones for harmonic music. Singing is usually homophonic. (Schngaoife can invent oneiro counterpoint) | ||
h/t tprice and Jaimbee | h/t tprice and Jaimbee, without whose work on isodifferential chords and oneiro functional harmony this would not have been possible. | ||
== Todo == | |||
Should "pegol" be the name for the approximate 3L 2s? | |||
== Imperial Windermere music == | == Imperial Windermere music == | ||
Revision as of 01:53, 24 January 2022
Base on oneiro at first, then 26edo?
Generally prefers inharmonic or mellow (like flutes) timbres rather than bright ones for harmonic music. Singing is usually homophonic. (Schngaoife can invent oneiro counterpoint)
h/t tprice and Jaimbee, without whose work on isodifferential chords and oneiro functional harmony this would not have been possible.
Todo
Should "pegol" be the name for the approximate 3L 2s?
Imperial Windermere music
Based on 3L 2s scales, then 5L 3s scales; was monophonic and played on inharmonic instruments. (I think an oneirotonic-based culture is as plausible as pelog)
Post-Revolt music
All the JI and RTT people, Etsoj Jopah, Rewhd Sgutsis etc. can be Cualuavian
Development of a functional harmony theory based on 0-(185)-369-646 and 0-277-738-(923) for the 4 brightest oneiro modes and a general modal theory for all 8 modes and the LSLLLSLS altered oneiro scale
Modern music
Contemporary music
Schngaoife writes counterpoint for oneiro and develops a functional harmony theory for other mosses such as 4L 3s, 5L 4s, and 8L 2s.