Verse:CF Tricin/Music: Difference between revisions
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===Cualand=== | ===Cualand=== | ||
====Hebrew cantillation==== | ====Hebrew cantillation==== | ||
Cantillation tropes in Cualand are diatonic, LCJI-based, or overtone scale-based. Some melodies use Locrian | Cantillation tropes in Cualand are diatonic, LCJI-based, or overtone scale-based. Some melodies use Locrian. Doctrinally it's no more weird than the full range of Rabbinic Judaism on Earth. | ||
[[File:Adon Olam Cualandian.png|thumbnail|A Cualandian tune for Adon Olam|450px]] | [[File:Adon Olam Cualandian.png|thumbnail|A Cualandian tune for Adon Olam|450px]] | ||
Revision as of 12:19, 9 February 2022
Talma
Hebrew cantillation
Based on oneirotonic, uses modes such as LLLSLSLS, LLSLLSLS, LLSLLSLS, LSLLSLLS, LSLSLSAS, LSLSLLLS, SLSLLSLL, with varying tunings which can change when singing; marimbas are common in synagogues
Cualand
Hebrew cantillation
Cantillation tropes in Cualand are diatonic, LCJI-based, or overtone scale-based. Some melodies use Locrian. Doctrinally it's no more weird than the full range of Rabbinic Judaism on Earth.
