User:IlL/Spare pages 1/17: Difference between revisions
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* Most early recorded bird musical traditions are overtone singing and other timbral singing traditions demanding the various timbral nuances the avian syrinx is capable of. | * Most early recorded bird musical traditions are overtone singing and other timbral singing traditions demanding the various timbral nuances the avian syrinx is capable of. | ||
* Primodality: In-universe, primodality is invented by a bird | * Primodality: In-universe, primodality is invented by a sapient bird; birds use primodality to impart colors to chord-scales and sung dyad phonemes. | ||
* There is also a bird culture that uses soundscapes made by non-ji/inharmonic/pseudo-JI chords. | * There is also a bird culture that uses soundscapes made by non-ji/inharmonic/pseudo-JI chords. | ||
Revision as of 15:50, 23 February 2022
Music
Avian music tends to emphasize harmony, rhythm and timbre much more than melody, which most in-universe sapient passerines consider a part of language instead. Much of avian music is based on chord-scale theory. In songs, the melody is considered part of the lyrics and the melodies follow the chord-scale the music is currently in (most passerine languages are tonal and some even require producing two notes at once). Avian music uses many kinds of inharmonic timbres (many more than human music) as well as harmonic ones.
- Most early recorded bird musical traditions are overtone singing and other timbral singing traditions demanding the various timbral nuances the avian syrinx is capable of.
- Primodality: In-universe, primodality is invented by a sapient bird; birds use primodality to impart colors to chord-scales and sung dyad phonemes.
- There is also a bird culture that uses soundscapes made by non-ji/inharmonic/pseudo-JI chords.