Verse:Hmøøh/Segin Þwhgad: Difference between revisions

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==Compositions==

Scúdhainn’s compositions, many of them commissioned, number about 250 works in total. Many of them were described as “conceptual” or “constrained composition” by her contemporaries. Terse counterpoint is also common.

Many of her “high-level” tempo markings and staff directions are in her native Tíogall – while “low-level” ones such as dynamics markings remain in Netagin.

*9 Xaetjeon Dances

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*One opera

~~Many of her “high-level” tempo markings and staff directions are in her native Tíogall – while “low-level” ones remain in Netagin (they’re basically symbols)~~

Her firsts as a composer:

• Used some rank-2 temperaments for the first time in Talmic music. (Is this realistic before precise pitch measurement/the invention of computers?)

*Used some rank-2 temperaments for the first time in Talmic music. (Is this realistic before precise pitch measurement/the invention of computers?)

As tuning theorist

• Wrote the treatise Linear Temperaments (Tíogall: [], literally “Vector temperaments”?), formalizing the concept of linear temperaments, as a generalization of JI and some particular examples of temperaments.-->

* Wrote the treatise Linear Temperaments (Tíogall: [], literally “Vector temperaments”?), formalizing the concept of linear temperaments, as a generalization of JI and some particular examples of temperaments.-->

==Music theory==

@@ Line 9: / Line 9: @@
 ==Compositions==
 Scúdhainn’s compositions, many of them commissioned, number about 250 works in total. Many of them were described as “conceptual” or “constrained composition” by her contemporaries. Terse counterpoint is also common. <!--However, she also liked exploring vocal music and folk-like themes.-->
+Many of her “high-level” tempo markings and staff directions are in her native Tíogall – while “low-level” ones such as dynamics markings remain in Netagin.
 *9 Xaetjeon Dances
@@ Line 22: / Line 24: @@
 *One opera
-Many of her “high-level” tempo markings and staff directions are in her native Tíogall – while “low-level” ones remain in Netagin (they’re basically symbols)
 Her firsts as a composer:
-•	Used some rank-2 temperaments for the first time in Talmic music. (Is this realistic before precise pitch measurement/the invention of computers?)
+*Used some rank-2 temperaments for the first time in Talmic music. (Is this realistic before precise pitch measurement/the invention of computers?)
 As tuning theorist
-•	Wrote the treatise Linear Temperaments (Tíogall: [], literally “Vector temperaments”?), formalizing the concept of linear temperaments, as a generalization of JI and some particular examples of temperaments.-->
+* Wrote the treatise Linear Temperaments (Tíogall: [], literally “Vector temperaments”?), formalizing the concept of linear temperaments, as a generalization of JI and some particular examples of temperaments.-->
 ==Music theory==