Chlouvānem: Difference between revisions

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The morphology of Chlouvānem is very different from Laceyiam, though many words are still the same (like ''smrāṇa'' (spring), ''junai'' (foot), ''jāyim'' (girl), ''saṃhāram'' (boy)). The name of the people in the language itself used to have ''-ou-'' too, but then I changed historical phonology just enough that it caused that to become ''-ǣ-''. Still I kept ''-ou-'' in the English name as I had used it too much and for too long in order to change it so easily.

As I mentioned before, Chlouvānem is the latest version of the conlang for my main conculture. I started sketching conlangs back when I was 9 or 10 but only started ~~interesting myself into~~ linguistics seven years later - in 2014 - and since then I started doing more "serious" conlangs (the earlier ones were little more than relexified Italian). Ideally, Chlouvānem is the refined version of all of these languages, but except for a few recurring words (like ''maila'' (water) or ''hulin'' (woman)) it is only comparable to those languages I have been creating since July 2015.

As I mentioned before, Chlouvānem is the latest version of the conlang for my main conculture. I started sketching conlangs back when I was 9 or 10 but only started gaining interest in linguistics seven years later - in 2014 - and since then I started doing more "serious" conlangs (the earlier ones were little more than relexified Italian). Ideally, Chlouvānem is the refined version of all of these languages, but except for a few recurring words (like ''maila'' (water) or ''hulin'' (woman)) it is only comparable to those languages I have been creating since July 2015.

Chlouvānem is mainly thought for my conworld, but more than any other conlang of mine it is quite on the border between an art- and a heartlang.

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 The morphology of Chlouvānem is very different from Laceyiam, though many words are still the same (like ''smrāṇa'' (spring), ''junai'' (foot), ''jāyim'' (girl), ''saṃhāram'' (boy)). The name of the people in the language itself used to have ''-ou-'' too, but then I changed historical phonology just enough that it caused that to become ''-ǣ-''. Still I kept ''-ou-'' in the English name as I had used it too much and for too long in order to change it so easily.
-As I mentioned before, Chlouvānem is the latest version of the conlang for my main conculture. I started sketching conlangs back when I was 9 or 10 but only started interesting myself into linguistics seven years later - in 2014 - and since then I started doing more "serious" conlangs (the earlier ones were little more than relexified Italian). Ideally, Chlouvānem is the refined version of all of these languages, but except for a few recurring words (like ''maila'' (water) or ''hulin'' (woman)) it is only comparable to those languages I have been creating since July 2015.
+As I mentioned before, Chlouvānem is the latest version of the conlang for my main conculture. I started sketching conlangs back when I was 9 or 10 but only started gaining interest in linguistics seven years later - in 2014 - and since then I started doing more "serious" conlangs (the earlier ones were little more than relexified Italian). Ideally, Chlouvānem is the refined version of all of these languages, but except for a few recurring words (like ''maila'' (water) or ''hulin'' (woman)) it is only comparable to those languages I have been creating since July 2015.
 Chlouvānem is mainly thought for my conworld, but more than any other conlang of mine it is quite on the border between an art- and a heartlang.